Wholly Smoke (1938)
9/10
Porky Pig's smoke problem
22 January 2018
Love animation, it was a big part of my life as a child, particularly Disney, Looney Tunes and Tom and Jerry, and still love it whether it's film, television or cartoons.

'Wholly Smoke' may not be one of my favourite cartoons of all time, but for me it is up there among the best of the late 30s Porky Pig cartoons, one of his best solo cartoons and one of his best directed by Frank Tashlin. Tashlin directs wonderfully here in 'Wholly Smoke', the cartoon boasting some of his cleverest, most imaginative and wittiest visuals and not only does Tashlin engage with the material he actually seems to be having a ball with it.

Porky is likeable as ever, effectively playing it straight and he isn't underused or too much of a support character. It will be admitted though that Nick O'Teen, with a sterling voice over from Tedd Pierce, and the smoking caricatures, in the hallucinatory sequence that dominates the cartoon to unforgettable effect, display stronger personalities.

A lot of fun 'Wholly Smoke' is, especially with the delicious wackiness tonally and the various smoke characters and caricatures that are great to spot. It is one of Tashlin's weirdest and the weirdest for Porky, but this is in a wonderful way. 'Wholly Smoke' is essentially a message cartoon, with a message that makes its point without preaching too much. It is also a message that eighty years on is an important and relevant one, more so now where smoking is no longer something that most people back then did because it was fashionable and a social thing but now an increasingly unhealthy lifestyle choice although addressed more in the media about the consequences.

Mel Blanc is outstanding as always. He always was the infinitely more preferable voice for Porky, Joe Dougherty never clicked with me, and he proves it in 'Porky's Building'. Blanc shows an unequalled versatility and ability to bring an individual personality to every one of his multiple characters in a vast majority of his work, there is no wonder why he was in such high demand as a voice actor.

The animation is very good. It's fluid in movement, crisp in shading and very meticulous in detail. The story is paced beautifully but it is a case of everything else making more of an impact.

Carl Stalling's music is typically outstanding. It is as always lushly orchestrated, full of lively energy and characterful in rhythm, not only adding to the action but also enhancing it.

In summary, great. 9/10 Bethany Cox
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