A welcome and amiable screen presence, Jackie Chan can be depended upon for clever stunts, fast action, and solid entertainment. But even the best performers have off days, and "The Accidental Spy" is not Jackie's finest hour, despite some dexterous maneuvers and funny moments. Jackie is a gym-equipment salesman, who may be the son of a dying Korean man; when he passes, the Korean leaves Jackie a legacy that sends him to Istanbul, where he becomes involved with drug dealers in pursuit of a highly-addictive super drug.
The meandering script by Rod Dean and Ivy Ho is short on logic and long on mindless action. Rod Dean is credited with the English version, and his dialog lags the lip movements of the Chinese cast by several seconds, which is initially amusing, but eventually annoying. However, the script is of secondary importance, because director Teddy Chan's focus is on action action action. Evidently film editor Chi-Leung Kwong had a good work out assembling the fast-moving footage into a frenetic semblance of continuity. Fortunately, Kwong had some good footage to work with, because Wing Hang Wong's cinematography is particularly good and showcases the beauty of Istanbul.
However, the film belongs to Jackie Chan, and avid fans of the star likely enjoy whatever he does. Jackie is always fun to watch, even in the most preposterous situations, and an extended chase sequence through the Istanbul Bazaar that features the bad guys pursuing a naked Jackie is arguably the film's highlight. Chan's deft play with plates, tambourines, and baskets to cover himself is priceless. Once outside the Bazaar, his slickly nimble maneuver with a hanging bed sheet is worth repeated looks; he somehow pulls on the sheet, tears a hole for his head, wraps himself head to foot, and quickly transforms himself into a veiled woman. If the entire film were as inspired as these moments, which rank with the finest silent-film slapstick, "The Accidental Spy" would be a classic.
Unfortunately, most of the film is non-stop action, with extended chases, impossible stunts, and fiery explosions, but little reason or logic behind any of them. Watchable for its amiable star and his riotous antics in the Istanbul Bazaar, the rest of "The Accidental Spy" is not worthy of its talented lead.
The meandering script by Rod Dean and Ivy Ho is short on logic and long on mindless action. Rod Dean is credited with the English version, and his dialog lags the lip movements of the Chinese cast by several seconds, which is initially amusing, but eventually annoying. However, the script is of secondary importance, because director Teddy Chan's focus is on action action action. Evidently film editor Chi-Leung Kwong had a good work out assembling the fast-moving footage into a frenetic semblance of continuity. Fortunately, Kwong had some good footage to work with, because Wing Hang Wong's cinematography is particularly good and showcases the beauty of Istanbul.
However, the film belongs to Jackie Chan, and avid fans of the star likely enjoy whatever he does. Jackie is always fun to watch, even in the most preposterous situations, and an extended chase sequence through the Istanbul Bazaar that features the bad guys pursuing a naked Jackie is arguably the film's highlight. Chan's deft play with plates, tambourines, and baskets to cover himself is priceless. Once outside the Bazaar, his slickly nimble maneuver with a hanging bed sheet is worth repeated looks; he somehow pulls on the sheet, tears a hole for his head, wraps himself head to foot, and quickly transforms himself into a veiled woman. If the entire film were as inspired as these moments, which rank with the finest silent-film slapstick, "The Accidental Spy" would be a classic.
Unfortunately, most of the film is non-stop action, with extended chases, impossible stunts, and fiery explosions, but little reason or logic behind any of them. Watchable for its amiable star and his riotous antics in the Istanbul Bazaar, the rest of "The Accidental Spy" is not worthy of its talented lead.