and, maybe, it is enough. because it is not real easy to define, in right manner, a period and its remarkable personalities. the only problem - the portrait of Alma Mahler. too simple, almost a sketch, unfair in many scenes, reduced at the status of hunter of men. and, if you accept that, it is honest to remark than it is one of the sides of her personality. because she is, in same measure, an artist. not at the level of her well known husbands/lover but a voice in a period which remains defined by the freedom of creation. and this aspect of Alma Mahler seems be ignored in the film. but this sin is far to be impressive. only common to many filmmakers looking only to impress and to give perfect versions for a public who, in many senses, remains unknown.
Review of Bride of the Wind
