Straight out of the style that made the "Fuller Brush" movies, this Columbia farce is top dog in what makes old fashioned comedy so much fun. It's all in a day's work for ice cream salesman Jack Carson who gets involved in more than just selling his products than he bargained for. Ringing bells make human voices impossible to understand, a kid with a speech impediment confuses him with an order, and melting ice cream bars in a furnace room create all sorts of havoc. But it's his coming to the aide of a young woman who claims that men are trying to kill her that guides the plot, literally putting him into a feel freeze, and leading to more mayhem when he does come upon a corpse and finds himself in a lot more trouble.
Carson, coming off a long spell at Warner Brothers, gets his best part, and really shows off a great bag of comic tricks. Lola Albright supports Carson as his long suffering girlfriend who keeps showing up at the wring time. Carson, wearing a women's slip and covered in soot, ends up "caged" with a bunch of tough dames, and must try to square things with Albright. Frank Ferguson is very funny as a police lieutenant, while Peter Miles is lovable as Albright's younger brother. Look for a young Richard Egan as a police officer. It's a shame that Carson never got the chance to star in a sitcom; he would have been a nice contrast to the women dominated field of TV sitcoms in the 1950's, equally as funny as Gleason, Skelton, Backus and Arnaz. The ending with the villains dealing with Carson, Albright and an army of kids is absurd in its overuse of comedy but somehow works anyway.
Carson, coming off a long spell at Warner Brothers, gets his best part, and really shows off a great bag of comic tricks. Lola Albright supports Carson as his long suffering girlfriend who keeps showing up at the wring time. Carson, wearing a women's slip and covered in soot, ends up "caged" with a bunch of tough dames, and must try to square things with Albright. Frank Ferguson is very funny as a police lieutenant, while Peter Miles is lovable as Albright's younger brother. Look for a young Richard Egan as a police officer. It's a shame that Carson never got the chance to star in a sitcom; he would have been a nice contrast to the women dominated field of TV sitcoms in the 1950's, equally as funny as Gleason, Skelton, Backus and Arnaz. The ending with the villains dealing with Carson, Albright and an army of kids is absurd in its overuse of comedy but somehow works anyway.