The best film about the ironic alienation and loneliness in mega-cities ever made. There is no comparison to Rebels of a Neon God. It is unlike anything you've ever seen or will ever see. Upon careful analysis, it is almost impossible to discern even the basic foundations of a three/five act structure, like the classic act 1, plot point1, act 2 pt1, mid-point, act 2 pt2, plot point 2, act 3... all nowhere to be found.
Tsai Ming-Liang has created A NEW LANGUAGE of film making here.
An essential study for anyone willing to explore a radically different approach to film making. The only film I can think of comparing it to – in terms of creating a new language – is 'Persona' by Ingmar Bergman.
Bravo Tsai! Bravo
Tsai Ming-Liang has created A NEW LANGUAGE of film making here.
An essential study for anyone willing to explore a radically different approach to film making. The only film I can think of comparing it to – in terms of creating a new language – is 'Persona' by Ingmar Bergman.
Bravo Tsai! Bravo