The Gazebo (1959)
6/10
Home life for show business couple turns into an opening night disaster.
29 December 2016
Warning: Spoilers
A television writer/director on the Bette of a nervous breakdown gets the shock of his life when his stage actress wife purchases a "summer house", aka "a gazebo" where she thinks he can spend beautiful summer days doing his writing. What she has no idea of is his plans for it that don't include thing up the latest masterpiece or romancing her on cool summer nights. With the house already in danger of falling apart, the gazebo seems poised to either fly into space or sink into oblivion if his kind of luck continues.

What makes this black comedy work so well is the collection of nutcases, fellow neurotics, blowhards and just plain creepy folk, including a blackmailer, the contractor hired to prepare the space for the gazebo and a screeching housekeeper who seems to think that everyone around her is deaf. There's also a friendly pigeon, an irony considering the dog like seagull from "This Happy Feeling" which also starred this films leading lady, Debbie Reynolds. The real star is Glenn Ford, as dark as they come, but hysterically funny because of how far he's fallen into a neurotic/nervous breakdown state.

I don't think that there was any need to give Debbie Reynolds a reason to do a production number, mainly because the one she does here is just a really bad number. The blackmail plot involves lewd photos of Debbie, and that results in Glenn seeking to become the dumbest killer ever to plot a murder on screen. Supporting them are Carl Reiner as Ford's dead pan pal, John McGiver as the most aggravating of contractors, so pompous and boring that while laughing at him for being like so many people you've been forced to deal with you might be cringing out of memory of those unpleasant encounters.

Doro Merande reminds me of so many well meaning but ultimately hateful old bags that I've been unprivileged to have been forced to be associated with that I had fun laughing at the character and laughing with the actress. Then, there's Mabel Albertson who seems to keep showing up at the most inconvenient times. I can see why thus might have a cult following, but it's not one that I'd be likely to re- visit. Black and white photography in CinemaScope doesn't really add anything either and genuinely looks quite odd.
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