Singapore short film director K Rajagopal's debut full length feature, A Yellow Bird, opens with a big bang in Singapore, since it was one of the two movies to premier in Cannes Film Festival 2016 (the other being Boo Junfeng's Apprentice). Combining his personal experiences and based on actual news, the movie looks into an ex-convict journey to seek redemption while struggling with reality upon release.
Siva (played by Singaporean actor Sivakumar Palakrishnan) was released from eight years of imprisonment due to smuggling contraband goods. Unable to find his wife and daughter who have not seen him during his imprisonment, Siva was struggling to get a stable job while living with his mother (Seema Biswas, as seen in Shehkar Kapur's Bandit Queen). While working as a musician in a Chinese funeral company, he met Chen Chen (China actress Huang Lu), an over-stayer who takes up various odd jobs so as to repay debts back in China. Siva's hot temper not only almost got him into trouble with the law again, but also puts a strain on his relationship with his mother. While working as a odd-job worker, Siva develops affection with Chen Chen, who works as a prostitute in a illegal brothel den at a bush. Hoping to help Chen Chen, Siva was in crossroads between seeking help from his estranged mother and getting money through illegal means.
By no means A Yellow Bird is a sugar-coated version of Victor Hugo's Les Miserable set in modern day Singapore. More rather, it is a view of an individual living in the underbelly of the developed society. To help the audience digest the movie, K Rajagopal and Jeremy Chua (producer) co- wrote the script and presents it in three parts: -The first part looks into Siva seeking for his wife upon his release from the prison and his strain relationship with his mother, who works as a cleaner and rents out the only bedroom in the government apartment to several China workers for survival. Through the different peoples he met, it helps to lay down the development on Siva seeking his wife, with his fury temper getting himself close to bar again. -The second part looks into Siva spending his time with Chen Chen earning a living through illegal ways. This is a unique development in the story, where both communicated through body languages, since Siva doesn't speaks Mandarin and Chen Chen doesn't speaks English. -The last part deals with Siva being mistaken as a rioter and escapes from the police, while trying to find his wife and daughter. This is more of a presentation on how Siva resorting to his old ways after being driven to the corner of the law.
Siva's experience is just one of the ex-convict story, which represents a fraction of ex-convicts who are unable to readjust themselves back to the society upon release. Not only do they undergo an emotional torrent, their love ones are trying to find ways to readjust their lifestyle upon his release. From the jobs Siva take up for survival, not only do we see how an ex-convict were unable to secure a full time job, but also how he was ostracized for being an ex-convict. His lack of understanding on the protocols the civil servants has to adhere when asking for his wife's contact detail not only almost got him into trouble, but also makes him heading to seek his wife aimlessly.
Sivakumar's performance as Siva not only brought the audience the harsh reality, but also makes you empathized with his loss and seeking for redemption. The encounter of Sivakumar's Siva and Huang Lu's Chen Chen is a unique combination of two people living in the underbelly of the society. Chen Chen was taking a risk of being an over-stayer when she is unable to earn enough money to repay debts. Right from the beginning where she quarrel with a funeral service supervisor after she was underpaid to working as a prostitute in a illegal brothel den, Chen Chen's encounter was a reflection of the other kind: illegal immigrants seeking for survival in Singapore.
For Indian actress Seema Biswas, playing Siva's mother is a great challenge. As mentioned by K Rajagopal, Seema Biswas takes up the challenge through blending in the lives of commoners in Singapore. Through observation, speaking with the common folks to making her own sari she wore in the movie, Seema Biswas has not only successfully plays a commoner from Singapore, but has also develops a character that serves as a big contrast to Siva's character in the movie.
A Yellow Bird is not your usual feel-good Singaporean movie that looks into how ex-convicts are able to restart their lives all over again upon their release. More rather, it takes the reality into your face value. At the same time, it looks into the struggle of people who are unable to make ends meet, and resorting to desperate means to meet their basic needs. This is a movie that should be watched by anyone who wants a deeper view of the reality in the developed society.
Siva (played by Singaporean actor Sivakumar Palakrishnan) was released from eight years of imprisonment due to smuggling contraband goods. Unable to find his wife and daughter who have not seen him during his imprisonment, Siva was struggling to get a stable job while living with his mother (Seema Biswas, as seen in Shehkar Kapur's Bandit Queen). While working as a musician in a Chinese funeral company, he met Chen Chen (China actress Huang Lu), an over-stayer who takes up various odd jobs so as to repay debts back in China. Siva's hot temper not only almost got him into trouble with the law again, but also puts a strain on his relationship with his mother. While working as a odd-job worker, Siva develops affection with Chen Chen, who works as a prostitute in a illegal brothel den at a bush. Hoping to help Chen Chen, Siva was in crossroads between seeking help from his estranged mother and getting money through illegal means.
By no means A Yellow Bird is a sugar-coated version of Victor Hugo's Les Miserable set in modern day Singapore. More rather, it is a view of an individual living in the underbelly of the developed society. To help the audience digest the movie, K Rajagopal and Jeremy Chua (producer) co- wrote the script and presents it in three parts: -The first part looks into Siva seeking for his wife upon his release from the prison and his strain relationship with his mother, who works as a cleaner and rents out the only bedroom in the government apartment to several China workers for survival. Through the different peoples he met, it helps to lay down the development on Siva seeking his wife, with his fury temper getting himself close to bar again. -The second part looks into Siva spending his time with Chen Chen earning a living through illegal ways. This is a unique development in the story, where both communicated through body languages, since Siva doesn't speaks Mandarin and Chen Chen doesn't speaks English. -The last part deals with Siva being mistaken as a rioter and escapes from the police, while trying to find his wife and daughter. This is more of a presentation on how Siva resorting to his old ways after being driven to the corner of the law.
Siva's experience is just one of the ex-convict story, which represents a fraction of ex-convicts who are unable to readjust themselves back to the society upon release. Not only do they undergo an emotional torrent, their love ones are trying to find ways to readjust their lifestyle upon his release. From the jobs Siva take up for survival, not only do we see how an ex-convict were unable to secure a full time job, but also how he was ostracized for being an ex-convict. His lack of understanding on the protocols the civil servants has to adhere when asking for his wife's contact detail not only almost got him into trouble, but also makes him heading to seek his wife aimlessly.
Sivakumar's performance as Siva not only brought the audience the harsh reality, but also makes you empathized with his loss and seeking for redemption. The encounter of Sivakumar's Siva and Huang Lu's Chen Chen is a unique combination of two people living in the underbelly of the society. Chen Chen was taking a risk of being an over-stayer when she is unable to earn enough money to repay debts. Right from the beginning where she quarrel with a funeral service supervisor after she was underpaid to working as a prostitute in a illegal brothel den, Chen Chen's encounter was a reflection of the other kind: illegal immigrants seeking for survival in Singapore.
For Indian actress Seema Biswas, playing Siva's mother is a great challenge. As mentioned by K Rajagopal, Seema Biswas takes up the challenge through blending in the lives of commoners in Singapore. Through observation, speaking with the common folks to making her own sari she wore in the movie, Seema Biswas has not only successfully plays a commoner from Singapore, but has also develops a character that serves as a big contrast to Siva's character in the movie.
A Yellow Bird is not your usual feel-good Singaporean movie that looks into how ex-convicts are able to restart their lives all over again upon their release. More rather, it takes the reality into your face value. At the same time, it looks into the struggle of people who are unable to make ends meet, and resorting to desperate means to meet their basic needs. This is a movie that should be watched by anyone who wants a deeper view of the reality in the developed society.