Irene Dunne and the songs by Jerome Kern and Oscar Hammerstein were the biggest two reasons for seeing 'Sweet Adeline' in the first place. Have also liked some of Mervyn Leroy's films, especially 'Waterloo Bridge' and 'Random Harvest'.
'Sweet Adeline' is certainly watchable, but at the same time it is unremarkable though with enough big merits. Dunne and the songs as well as being the two selling points are also the best things about the film. Dunne looks luminous with the camera clearly loving her, charms the socks off and sings like a nightingale, definitely a role that suits her to a tee. The songs by Kern and Hammerstein are so good that they are enough to redeem any film, regardless of overall quality, more than one notch, the highlights being "Why Was I Born?", "Don't Ever Leave Me" and "Here Am I".
Production values are very lavish, the production design is very pleasing on the eyes while 'Sweet Adeline' is beautifully shot and slickly edited. Of the rest of the cast, coming off best are a debonair but also sinister Louis Calhern and a zesty Wini Shaw. Ned Sparks is amusing too. The dancing and choreography is lively enough as well, and LeRoy makes the most of the production values and of how Dunne looks on film.
Letting 'Sweet Adeline' down in particular are the story and Donald Woods. The story is dull, thin and creaks badly, while also going well overboard on the winsome and cornball factors. The nostalgia is lovely however. Woods is so lifeless, wooden and charisma-free as the leading man here that he gets completely lost amidst everything else. The script also doesn't feel as funny or as emotionally investable as it ought, also sounding sketchy and awkward often.
The scenes with Sparks and Hugh Herbert also feel like filler that drag the film down. Sparks is amusing and some of his lines are good, but Herbert has always been an acquired taste and does try too hard for laughs that it really grates on the nerves. LeRoy's direction is very good from a stylistic standpoint but from a storytelling point of view it lacks momentum and just feels like his heart wasn't completely in it.
On the whole, very watchable but didn't have me jumping out of my chair with excitement or such. Dunne and the songs are the best things about it. 6/10 Bethany Cox
'Sweet Adeline' is certainly watchable, but at the same time it is unremarkable though with enough big merits. Dunne and the songs as well as being the two selling points are also the best things about the film. Dunne looks luminous with the camera clearly loving her, charms the socks off and sings like a nightingale, definitely a role that suits her to a tee. The songs by Kern and Hammerstein are so good that they are enough to redeem any film, regardless of overall quality, more than one notch, the highlights being "Why Was I Born?", "Don't Ever Leave Me" and "Here Am I".
Production values are very lavish, the production design is very pleasing on the eyes while 'Sweet Adeline' is beautifully shot and slickly edited. Of the rest of the cast, coming off best are a debonair but also sinister Louis Calhern and a zesty Wini Shaw. Ned Sparks is amusing too. The dancing and choreography is lively enough as well, and LeRoy makes the most of the production values and of how Dunne looks on film.
Letting 'Sweet Adeline' down in particular are the story and Donald Woods. The story is dull, thin and creaks badly, while also going well overboard on the winsome and cornball factors. The nostalgia is lovely however. Woods is so lifeless, wooden and charisma-free as the leading man here that he gets completely lost amidst everything else. The script also doesn't feel as funny or as emotionally investable as it ought, also sounding sketchy and awkward often.
The scenes with Sparks and Hugh Herbert also feel like filler that drag the film down. Sparks is amusing and some of his lines are good, but Herbert has always been an acquired taste and does try too hard for laughs that it really grates on the nerves. LeRoy's direction is very good from a stylistic standpoint but from a storytelling point of view it lacks momentum and just feels like his heart wasn't completely in it.
On the whole, very watchable but didn't have me jumping out of my chair with excitement or such. Dunne and the songs are the best things about it. 6/10 Bethany Cox