Despite all the good reviews here, I have to say I found the Australian "Underground: The Julian Assange Story" slow and somewhat boring. Of course it can't compare to The Fifth Estate, which I actually sat through in the movies. Thanks to whomever arranged that deal for Benedict Cumberbatch, his career almost ended.
This one starts when Julian (Alex Williams) is young, and he, his mother (Rachel Griffiths) and his baby brother escape his stepfather, who wants to take the boys to a cult. His existence was a nomadic one; he lived in something like 30 cities growing up in Australia.
He gets into hacking with his friends early on, and they make bets about what places they can hack, not realizing that the phone lines will eventually trip them up.
While an older teen, Julian gets his girlfriend (Laura Wheelwright) pregnant, and things become difficult when he can't tear himself away from his buddies and hacking.
Eventually, as we know, he hacks into military Desert Storm plans and realizes that the public isn't being told important things.
The film does not go into the big 2010 Wikileaks scandal when the organization released documents of "Iran war logs, gunsight footage of the Baghdad airstrike, and the Afghan war diary. Actually the film's focus seems to be more on Assange's life.
Alex Williams was very good as Assange, protective of his family, contemplative, and extremely bright. Rachel Griffiths, never one of my favorites, didn't have much to do in this. I watched nearly the whole film before I realized Assange's nemesis was Anthony LaPaglia. I feel he is one of the most underrated actors ever, able to inhabit a role and make it seem easy and natural.
One of the best things about the film was seeing the old computers, the dial-ups, the enormous cell phones, all the old technology.
Many of the reviews here were written before the recent doings of Wikileaks, and now we learn that Assange is somewhat selective in what he's decided to tell us about the candidates for President so that we don't get the real story. We also learned that certain emails he submitted were fraudulent. It's disappointing - he started out with some noble goals, and he was sincere. Now, I don't know.
This one starts when Julian (Alex Williams) is young, and he, his mother (Rachel Griffiths) and his baby brother escape his stepfather, who wants to take the boys to a cult. His existence was a nomadic one; he lived in something like 30 cities growing up in Australia.
He gets into hacking with his friends early on, and they make bets about what places they can hack, not realizing that the phone lines will eventually trip them up.
While an older teen, Julian gets his girlfriend (Laura Wheelwright) pregnant, and things become difficult when he can't tear himself away from his buddies and hacking.
Eventually, as we know, he hacks into military Desert Storm plans and realizes that the public isn't being told important things.
The film does not go into the big 2010 Wikileaks scandal when the organization released documents of "Iran war logs, gunsight footage of the Baghdad airstrike, and the Afghan war diary. Actually the film's focus seems to be more on Assange's life.
Alex Williams was very good as Assange, protective of his family, contemplative, and extremely bright. Rachel Griffiths, never one of my favorites, didn't have much to do in this. I watched nearly the whole film before I realized Assange's nemesis was Anthony LaPaglia. I feel he is one of the most underrated actors ever, able to inhabit a role and make it seem easy and natural.
One of the best things about the film was seeing the old computers, the dial-ups, the enormous cell phones, all the old technology.
Many of the reviews here were written before the recent doings of Wikileaks, and now we learn that Assange is somewhat selective in what he's decided to tell us about the candidates for President so that we don't get the real story. We also learned that certain emails he submitted were fraudulent. It's disappointing - he started out with some noble goals, and he was sincere. Now, I don't know.