7/10
Revenge: A dish best served cold
23 October 2016
"Massacre at Central High" is perhaps misleading in its title, which evokes a gore-filled splatterfest, which this film is not. The premise surrounds David, a teenager who transfers to a new high school where the students run wild, and a group of male bullies torment their peers without consequence. The unhinged David begins to murder each of the bullies, but his plan to cleanse the school backfires when those on the bottom of the social ladder take on the same traits as their former dead oppressors.

A weird but memorable entry in the horror genre, "Massacre at Central" high feels like it occurs in a dreamscape or an alternate world. This is largely due to the fact that the film features no "adult" figures to speak of; the bullies torment the students to extreme lengths, and even attempted gang rapes are left unreported and largely up to the students themselves to sort out. "Lord of the Flies" comes to mind, as well as some elements of "Carrie," minus the supernatural edge. This off-kilter universe in which the film orbits lends it a unique and memorable feel.

It's not what I'd classify as a conventionally "scary" film by any stretch of the imagination. It is a horror film, but only in the sense that there are savage murders occurring throughout and that the subject matter is generally dark. The film itself is aesthetically quite bright, boasting a distinctive Los Angeles atmosphere that is laid on thick. Malibu's beaches set the stage for several scenes, and the film feels every bit a "California" production.

Performances from Robert Carradine and Kimberly Beck (who would later become a genre favorite for her role in "Friday the 13th: The Final Chapter") are some notable highlights, while Derrel Maury plays the outsider/deranged avenger with an appropriate distance. None of the performances are particularly provoking and are by and large rather bland, but serviceable given the material.

All in all, "Massacre at Central High" is a unique and thoroughly strange film that toes the line between exploitation slasher and thoughtful allegory. It is not a great film and at times feels extremely choppy, but it's a certain oddity and a respectable example of a filmmaker attempting something different. The fact that it predates the slasher by a significant amount of time also makes it an intriguing film on the historical timeline that is worth examining. 7/10.
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