Despite its source, A House Is Not a Home, based on the life of notorious madam Polly Adler, is devoid of insight, conflict, character, pacing or atmosphere. Russell Rouse who directed the camp classic The Oscar is defeated by the script and low budget; there is no sense of period and virtually no exterior scenes. Polly's girls and their clients are the usual assortment of junkies, cops, politicians and gangsters familiar from hundreds of films and television series. The film's theme song by Burt Bacharach and Hal David remains a standard while the film itself is strictly sub standard. It's Raquel Welch's film debut, but she, like Edy Williams, is most visible in the stills that accompany the titles. The unsinkable Winters appeared in a variety of films during the 60s including Lolita, Alfie, A Patch of Blue, Wild in the Streets, The Mad Room, The Balcony, The Scalphunters, Let No Man Write My Epitaph and The Chapman Report, and though she is unconvincing as young Polly, she gives this lackluster film some energy.
Review of A House Is Not a Home
