A barren wife engages a maid in her remote home, before propositioning the girl with money to become a surrogate mother. The plan works ... until the baby kicks in.
Direction and editing are very good, setting the scene at a fair pace in a claustrophobic world with only three characters. Particularly good early on is the relationship between the women, which gives a genuine feel of them getting to know each other and enjoying their company. Lovely acting, and I got a good chuckle when the maid stuck her tongue out.
The sense of unease is created with subtle music, and the photography makes use of well lit landscapes and close ups. But why are we uneasy? I kept guessing where the threat was coming from, but sadly it comes from nowhere, so I began losing patience about halfway through. There were a couple of interesting efforts to deliver the evil eye from the baby, but it's another case for Inspector Babadook - horror methods used to give a frisson to personal difficulties that might be psychological, might be spiritual.
Problems with the story. The maid's background is interesting - educated but poor immigrant ground up by the West's wealth machine, but that doesn't inform her character, even though she's the plaything of unaccountably wealthy hippies. No attention paid to the fact she was effectively lured in with lies - when the proposition was made I was thinking, Uh oh. Apparently I was wrong. So where did we come from, and where did we end up? I dunno. Even the shaman departed in a state of confusion.
This is a Danish production, but mostly in English in the first part, so no need for subtitles until about 40 mins. And the first time I've seen fisting in a drama - shouldn't he have had it torn off at the wrist?
Overall, unfathomable because it lacks depth.
Direction and editing are very good, setting the scene at a fair pace in a claustrophobic world with only three characters. Particularly good early on is the relationship between the women, which gives a genuine feel of them getting to know each other and enjoying their company. Lovely acting, and I got a good chuckle when the maid stuck her tongue out.
The sense of unease is created with subtle music, and the photography makes use of well lit landscapes and close ups. But why are we uneasy? I kept guessing where the threat was coming from, but sadly it comes from nowhere, so I began losing patience about halfway through. There were a couple of interesting efforts to deliver the evil eye from the baby, but it's another case for Inspector Babadook - horror methods used to give a frisson to personal difficulties that might be psychological, might be spiritual.
Problems with the story. The maid's background is interesting - educated but poor immigrant ground up by the West's wealth machine, but that doesn't inform her character, even though she's the plaything of unaccountably wealthy hippies. No attention paid to the fact she was effectively lured in with lies - when the proposition was made I was thinking, Uh oh. Apparently I was wrong. So where did we come from, and where did we end up? I dunno. Even the shaman departed in a state of confusion.
This is a Danish production, but mostly in English in the first part, so no need for subtitles until about 40 mins. And the first time I've seen fisting in a drama - shouldn't he have had it torn off at the wrist?
Overall, unfathomable because it lacks depth.