Based on Robert Louis Stevenson's iconic story, this horror film focuses on a scientist who develops a way to transform into a Neanderthal-like man with animalistic impulses. It is an interesting concept with lots of dialogue about evil existing inside everyone and repressing one's base desires, but the real standout element here is the filmic style. The film features innovative point-of-view camera- work that frequently tracks and pans. Then there is a superb lethargic dissolve of a woman's leg to show how ingrained the image is our hero's mind. Plus there is a great bit in which reaction shots between two lovers gradually zoom in closer... and the list goes on. The film is so technically advanced that it is still impressive by standards today; only the over-the-top makeup effects (complete with buck teeth) disappoint. With so much attention dedicated to the look of the film, it is perhaps unexpected that the story sags a little. Absolute no romantic sparks exist between Fredric March and Rose Hobart, which makes his pining to marry her a little hard to buy, and a subplot with a wanton Miriam Hopkins (not part of the original story) only works slightly better. When the film concentrates on March though and his increased difficulty of keeping Hyde under wraps, it rarely missteps. As alluded to, the film has a lot to say about dualities with the nature of humankind and the visuals are absolutely top notch.
Review of Dr. Jekyll and Mr. Hyde
