Nagisa Oshima's second co-production with France, Empire of Passion (based on the manuscript of Itoko Nakamura's then-unpublished novel), is often falsely considered to be a sequel to his previous film, In the Realm of the Senses. However, despite featuring the same lead actor (Tatsuya Fuji), the two films are only loosely connected by some of the similar themes they share, making them a diptych of sorts.
Empire of Passion is set in the Meiji era and, like the previous film, focuses on the nature of passionate love, or the consummation of sexuality and how it can offer an escape from the repressive outside world. However, the two protagonists in this film are doomed from the start because of this, as the fleeting sensations lead them to irreparable life choices which then take a heavy toll on their psyche. The film is much less sexually explicit than Realm, but is more disturbing and overall it's a much darker tale, with some kaidan (ghost story) elements. The appearance of a traditional Japanese depiction of a ghost fits into the whole "folktale" mood of the film, complete with a narrator voice of a creepy old lady.
Unlike Realm, Empire is set in the natural world. Thus, the film is defined by seasonal shifts (it actually goes in reverse, Winter-Autumn- Summer-Spring) and the two main characters are left in mercy of the chaotic, indifferent world of nature. Some of the most beautiful shots from the movie are in fact landscapes, or seen from under a well. Toru Takemitsu's soundtrack is quite good as usual.
Unfortunately, the film seemed to meander a bit, and some of the ghost scenes are pretty cheesy. The theatrical acting was a bit too much in several parts (lead actress Kazuko Yoshiyuki is beyond cute here, though) and overall, the film didn't quite click with me.
Empire of Passion is set in the Meiji era and, like the previous film, focuses on the nature of passionate love, or the consummation of sexuality and how it can offer an escape from the repressive outside world. However, the two protagonists in this film are doomed from the start because of this, as the fleeting sensations lead them to irreparable life choices which then take a heavy toll on their psyche. The film is much less sexually explicit than Realm, but is more disturbing and overall it's a much darker tale, with some kaidan (ghost story) elements. The appearance of a traditional Japanese depiction of a ghost fits into the whole "folktale" mood of the film, complete with a narrator voice of a creepy old lady.
Unlike Realm, Empire is set in the natural world. Thus, the film is defined by seasonal shifts (it actually goes in reverse, Winter-Autumn- Summer-Spring) and the two main characters are left in mercy of the chaotic, indifferent world of nature. Some of the most beautiful shots from the movie are in fact landscapes, or seen from under a well. Toru Takemitsu's soundtrack is quite good as usual.
Unfortunately, the film seemed to meander a bit, and some of the ghost scenes are pretty cheesy. The theatrical acting was a bit too much in several parts (lead actress Kazuko Yoshiyuki is beyond cute here, though) and overall, the film didn't quite click with me.