Initially intriguing, though overwrought, but ultimately pointless and silly.
A Hollywood adaptation of Akira Kurosawa's "Rashomon". Three men meet at a deserted station in the middle of nowhere. Soon their discussion turns to the trial that occurred in the nearby town the previous say. The trial concerned the death of a man. Three people claim they killed him, and we see their version of the events. Who is correct and why are two of them (at least...) lying?
From the outset there is a degree of unnecessary complexity about the script. The script is overly wordy, almost to the point of being Shakespearean, and feels padded. The plot is quite interesting but as it goes on it becomes less and less plausible, and feels complex just for the sake of it. Soon the holes appear, none of which are filled in by the end of the movie.
After a point the implausibility and complexity have descended into farce. The last few scenes are quite silly and ultimately you're left wondering what the point was and even possibly what the story was...
The casting provides some interesting appearances. Paul Newman puts in a good, almost over-the-top, performance as the Mexican bandit. William Shatner is there, as a preacher (two years later Star Trek started...). Edward G Robinson gets the role of the verbose swindler (he is largely responsible for my "Shakespearean" comment). Laurence Harvey and Claire Bloom put in reasonably solid performances as the married couple.
To be honest, even though many regard Rashomon as a classic, I don't. The plot for The Outrage demonstrates why Rashomon is overrated.
A Hollywood adaptation of Akira Kurosawa's "Rashomon". Three men meet at a deserted station in the middle of nowhere. Soon their discussion turns to the trial that occurred in the nearby town the previous say. The trial concerned the death of a man. Three people claim they killed him, and we see their version of the events. Who is correct and why are two of them (at least...) lying?
From the outset there is a degree of unnecessary complexity about the script. The script is overly wordy, almost to the point of being Shakespearean, and feels padded. The plot is quite interesting but as it goes on it becomes less and less plausible, and feels complex just for the sake of it. Soon the holes appear, none of which are filled in by the end of the movie.
After a point the implausibility and complexity have descended into farce. The last few scenes are quite silly and ultimately you're left wondering what the point was and even possibly what the story was...
The casting provides some interesting appearances. Paul Newman puts in a good, almost over-the-top, performance as the Mexican bandit. William Shatner is there, as a preacher (two years later Star Trek started...). Edward G Robinson gets the role of the verbose swindler (he is largely responsible for my "Shakespearean" comment). Laurence Harvey and Claire Bloom put in reasonably solid performances as the married couple.
To be honest, even though many regard Rashomon as a classic, I don't. The plot for The Outrage demonstrates why Rashomon is overrated.