Who cannot resist seeing a film with a cast like Anthony Quinn, Jack Palance, Ernest Borgnine and Harry Andrews? The cast and my general interest in biblical epic films were my reasons for seeing Barabbas. It's imperfect and could have been better, but there are also a lot of fantastic things. And when it comes to biblical epics, while not definitive or masterpiece status Barabbas is towards the better end of the spectrum.
Barabbas is very grand in scale visually. The sets and costumes are very lavish, the use of amber-orange gives the film a very soothing look and there's some truly breath-taking cinematography. The music score is incredibly powerful and the very meaning of stirringly epic. Also in terms of how it's orchestrated and recorded it's quite innovative with its experimental sounds. The script has its foibles but is a vast majority of the time intelligent and thoughtful, Richard Fleischer directs with a fine sense of period and an understanding to using the action and set pieces to their fullest potential and the story has many compelling moments. Especially true to this are the crucifixion set against a real eclipse of the fun, easily the most striking image of the film, and the climax in the arena, which is the most dramatically compelling and entertaining Barabbas gets.
Rachel's stoning(a heart-wrenching moment), the burning of Rome and the sulphur mines collapse are equally unforgettable scenes. The action is very exciting, so much so that it outweighs the film's dull stretches, and emotionally Barabbas is genuinely heartfelt and sincere. The cast is a uniformly talented one and all performances(despite the characters varying in how well-written they are) range from solid to great. Anthony Quinn portrays titular character Barabbas as a tortured, guilt-ridden soul and portrays this very movingly and with a great deal of intimacy. Not many actors succeed in bringing humanity to a criminal but Quinn manages to do that. Of the supporting cast, the standout is Jack Palance, whose performance as the snarling villain Torvald is an evil-incarnate powerhouse.
The film is let down chiefly by its pacing however. Not all of the time, mind, but the first half in particular is very stodgily paced and not always very eventful before properly coming to life in the stoning scene. There are a lot of references to Jesus which were dealt with rather heavy-handedly at times, some speeches ramble on a little too much and lose flow. 137 minutes is actually reasonably short compared to other biblical epics, but because there are some very draggy and not so eventful parts Barabbas to me did feel a little overlong in places. Barabbas is hardly the first biblical/historical epic to have these problems though, and others have done them much worse this said, and I'm usually tolerant of slow pacing and long lengths dependent on the execution of everything else.
And while a lot is done right in Barabbas, other areas are patchy. Also as gently sincere and pretty Silvana Mongano is, she has very little to do in a particularly clichéd and thinly sketched role in a film where only Barabbas has any proper development. To the film's credit, the idea of people being brought up and living life in tumultuous times is portrayed with much riveting realism, so while development is sketchy it is easy to get emotionally engaged and empathise with what the characters are going through.
Overall, overlong, at times heavy-handed in the script and with its dull spots, but with the wonderful production values, powerful music score, emotional resonance, some visually striking and dramatically compelling scenes and strong acting Barabbas still manages to be a good film and one of the better biblical epics. 7/10 Bethany Cox
Barabbas is very grand in scale visually. The sets and costumes are very lavish, the use of amber-orange gives the film a very soothing look and there's some truly breath-taking cinematography. The music score is incredibly powerful and the very meaning of stirringly epic. Also in terms of how it's orchestrated and recorded it's quite innovative with its experimental sounds. The script has its foibles but is a vast majority of the time intelligent and thoughtful, Richard Fleischer directs with a fine sense of period and an understanding to using the action and set pieces to their fullest potential and the story has many compelling moments. Especially true to this are the crucifixion set against a real eclipse of the fun, easily the most striking image of the film, and the climax in the arena, which is the most dramatically compelling and entertaining Barabbas gets.
Rachel's stoning(a heart-wrenching moment), the burning of Rome and the sulphur mines collapse are equally unforgettable scenes. The action is very exciting, so much so that it outweighs the film's dull stretches, and emotionally Barabbas is genuinely heartfelt and sincere. The cast is a uniformly talented one and all performances(despite the characters varying in how well-written they are) range from solid to great. Anthony Quinn portrays titular character Barabbas as a tortured, guilt-ridden soul and portrays this very movingly and with a great deal of intimacy. Not many actors succeed in bringing humanity to a criminal but Quinn manages to do that. Of the supporting cast, the standout is Jack Palance, whose performance as the snarling villain Torvald is an evil-incarnate powerhouse.
The film is let down chiefly by its pacing however. Not all of the time, mind, but the first half in particular is very stodgily paced and not always very eventful before properly coming to life in the stoning scene. There are a lot of references to Jesus which were dealt with rather heavy-handedly at times, some speeches ramble on a little too much and lose flow. 137 minutes is actually reasonably short compared to other biblical epics, but because there are some very draggy and not so eventful parts Barabbas to me did feel a little overlong in places. Barabbas is hardly the first biblical/historical epic to have these problems though, and others have done them much worse this said, and I'm usually tolerant of slow pacing and long lengths dependent on the execution of everything else.
And while a lot is done right in Barabbas, other areas are patchy. Also as gently sincere and pretty Silvana Mongano is, she has very little to do in a particularly clichéd and thinly sketched role in a film where only Barabbas has any proper development. To the film's credit, the idea of people being brought up and living life in tumultuous times is portrayed with much riveting realism, so while development is sketchy it is easy to get emotionally engaged and empathise with what the characters are going through.
Overall, overlong, at times heavy-handed in the script and with its dull spots, but with the wonderful production values, powerful music score, emotional resonance, some visually striking and dramatically compelling scenes and strong acting Barabbas still manages to be a good film and one of the better biblical epics. 7/10 Bethany Cox