Here's Hoping that Satirist and now Film Writer/Director Jon Stewart has Compensated for the Guilt He must have Felt after a Segment on "The Daily Show" Indirectly or perhaps Directly led to the Arrest of Journalist Maziar Bahari in Iran on the Charges of being a Spy (that was play-acted in the TV Show segment).
Stewart Shows some Flair for Cinema in the First Half with some Effective, if Artsy Arrangements of Images Superimposed on Landscapes that is a Surreal Opening to an all too Real Second Half.
Also, it is the First Half of the Movie that Grips with its Diving into the Counter Culture of Iran's Youth Movement, its Braggadocio and Behavior that almost Begs for Attention from the Police State.
After the Controversial Election and its Aftermath of Riots that Journalist Bahari is Covering and His immediate Arrest and Imprisonment, the Film Takes a much more Sombre Tone and the Filmmaking Flourishes and maybe even its Purpose is Succumbed by the Interrogation and Captivity Scenes.
Although Stewart shows some Ability to alleviate some Boredom with Flashbacks and Dream Sequences, by the Third Act the Movie does Feel like it has Run its Course of Insight and Criticism of the Iranian Political System.
Overall, it is a Story Worth Watching and Remembering, still very Topical, and it's a Solid, if Wanting, Effort from Jon Stewart.
Political enough, Artistic enough, and Profound enough to be Recommended and Despite its Low Budget Limitation is Better than the Best Picture Winner of a Few Years Back that also was Set In Iran, Albeit in the 1970's.
Stewart Shows some Flair for Cinema in the First Half with some Effective, if Artsy Arrangements of Images Superimposed on Landscapes that is a Surreal Opening to an all too Real Second Half.
Also, it is the First Half of the Movie that Grips with its Diving into the Counter Culture of Iran's Youth Movement, its Braggadocio and Behavior that almost Begs for Attention from the Police State.
After the Controversial Election and its Aftermath of Riots that Journalist Bahari is Covering and His immediate Arrest and Imprisonment, the Film Takes a much more Sombre Tone and the Filmmaking Flourishes and maybe even its Purpose is Succumbed by the Interrogation and Captivity Scenes.
Although Stewart shows some Ability to alleviate some Boredom with Flashbacks and Dream Sequences, by the Third Act the Movie does Feel like it has Run its Course of Insight and Criticism of the Iranian Political System.
Overall, it is a Story Worth Watching and Remembering, still very Topical, and it's a Solid, if Wanting, Effort from Jon Stewart.
Political enough, Artistic enough, and Profound enough to be Recommended and Despite its Low Budget Limitation is Better than the Best Picture Winner of a Few Years Back that also was Set In Iran, Albeit in the 1970's.