An American artist in Paris falls in love with his model and wants to marry her, but she say's no. They argue and part. Bennett is beautiful and bohemian. McCrea is handsome and conventional. They meet again at a wild Artist's ball, Bennett wearing a gown and skull cap of glittering sequins that's a knockout. She's irresistibly charming as she woos herself back into the arms of the grumpy object of her affections.
This was another Bennett blockbuster. Variety's reviewer wrote, "It's from the customary Bennett mold (that) will make each a little less strong at the b.o." Those words proved prophetic. Reviewer also criticized the star's acting, "It's becoming as stereotyped as the stories themselves." I liked Bennett's acting, but what awful posture. On the other hand, Hedda Hopper knows how to stand up straight and keep her hands where they belong, but she can't act. Everyone else acts A-OK. The plot of this "risqué" movie is irrelevant. The only reason to watch it - then or now - is to see Bennett work her magic. That's why she was paid $5000 a week.
This was another Bennett blockbuster. Variety's reviewer wrote, "It's from the customary Bennett mold (that) will make each a little less strong at the b.o." Those words proved prophetic. Reviewer also criticized the star's acting, "It's becoming as stereotyped as the stories themselves." I liked Bennett's acting, but what awful posture. On the other hand, Hedda Hopper knows how to stand up straight and keep her hands where they belong, but she can't act. Everyone else acts A-OK. The plot of this "risqué" movie is irrelevant. The only reason to watch it - then or now - is to see Bennett work her magic. That's why she was paid $5000 a week.