6/10
I Love Melvyn
15 November 2014
Warning: Spoilers
I've always found Melvyn Douglas and lookalike William Powell to be adept at light comedy with Douglas's Ninotchka cancelling out the entire Thin Man franchise but I struggle to recall Powell taking on the cad/murderer as Douglas does here and in passing leaves everyone else dead in the water with the possible exception of Lucile Watson. It's pure hoke, of course, and finds Ava Gardner living in genteel poverty with aunt Watson and cousin Douglas in 19th century New Orleans. Laughably cast medical research scientist Robert Mitchum comes to town for a stint at Tulane University (I'm not making this up) and would marry Gardner in a heartbeat (who wouldn't) but, curiously and inexplicably in thrall to the family Gardner, with her bags packed, is dissuaded from leaving with him by Douglas. In the fullness of time she inherits the thick end of a million dollars from a grandmother who apparently was no better than she should be and whose name must not be mentioned. Mitchum returns with a wife (Janis Carter) in tow - and the whole thing is a mere 70 minutes. Though set ostensibly in New Orleans for all the 'atmosphere' on show it could be Sasskatchawan. As always Gardner is ravishing and it's worth sitting through it for her alone plus several droll dialogue zingers as when, for instance, the local gotrocks with eyes to marry Gardner attempts in a subtly, polished Southern manner to buy Mitchum off, Mitchum promptly names a price - $5,000, a tidy sum in 1800 - and when the Southern gentleman is suitably bemused Mitchum adds 'We Northerners are so crass'. Hoke, yes, but also, oke on the strength of Gardner and dialogue.
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