Since the dawn of time, or at least since Hamlet, the existence of self-destructive behavior has been clearly recorded. What's funny is that it has historically been shown in a glamorous way, whether we're talking about Hamlet's cool early-Elizabethan Emo attitude, or Humphrey Bogart's suave whiskey-swilling alcoholism in Casablanca, or Batman's heroic death wish. Literature loves psychologically damaged heroes. But the real world often treats this sort of behavior with contempt, and that's what "Painful Secrets" depicts.
Doesn't matter who you are, every person has known some feeling of self-harm, whether it's literally cutting like in this movie or smoking cigarettes or eating a triple fudge brownie against your doctor's orders. Obviously this movie takes it a bit further than triple fudge brownies. Written by Steven Levenkron, a respected psychotherapist who has been studying disorders like anorexia since the 1970s, "Painful Secrets" takes an informed approach to the tricky subject of self-mutilation.
This is the story of a teenage girl whose dysfunctional family and social awkwardness lead her to cut herself, ironically, to control her pain. No, she doesn't do it for an orgasmic high like some people might think self-mutilation is about (that would be masochism); in this case she does it as a coping mechanism when her anxiety gets out of control. Not so different from the workout junkie at the gym who bench presses 350 lbs to feel the burn, "cutting" we learn is about physical control. The film assumes that you have some familiarity with the subject so it doesn't waste much time introducing the premise. Also don't expect a tidy Hollywood ending because something like this doesn't have any tidy Hollywood endings. Instead, this film delivers a very realistic story raising more questions than answers.
Being a USA Network TV production, it does have a certain polished "ABC afterschool special" feel, but not annoyingly so. In fact the glossy exterior works to its advantage later in the film when things get suddenly more intense and raw. I was impressed to see that the film didn't pull any punches in the last half. Although there is no explicit gore & sexuality on screen, the implications are pretty clear.
"Painful Secrets" doesn't claim to tell the story of every troubled teen, but it does a pretty good job of hitting the common issues that accompany the phenomenon of self-injury. In particular: alienation from society (no friends), bullying in school and conflicts at home. It's the home life that I found to be very well done. Nothing cartoonish like some Cinderella wicked stepmom, but much more subtle and insidious: a mother whose own fear of blame leads her to unintentionally heap guilt on her daughter. And perhaps more frighteningly common in American homes: a failing marriage that is secretly absorbed by the children (note to fighting parents: you can NOT hide it from your kids, they're smarter than you are).
The acting is very believable, with powerful moments from each major character: the girl (played by Kimberlee Peterson, known for The West Wing and Boston Public), the mother (played by Sean Young from the 80s thriller "No Way Out"), the father (played by Robert Wisden who has many TV credits from The X-Files to Stargate SG1 to Battlestar Galactica), and of course the therapist (played by Rhea Perlman from Cheers) who doesn't actually have a lot of screen time but plays each scene with the perfect amount of delicacy.
Regardless of subject matter, I'm a fan of films that force the audience to work. I never found the story to be dull or predictable. It kept my mind working from start to finish. Despite all outward appearances of being a made-for-TV-movie, this is one of the most unusual of the lot, at times with an indie feel like "The Squid and the Whale" (another great film about a troubled teen with a lousy home life). "Painful Secrets" gets bonus points for being the only movie I've heard of that boldly tackles the issue of self-harm. Another good film to consider is "Archie's Final Project" a somewhat light-hearted (though respectful) film about teen suicide, or if you're not afraid of experimental indie flicks check out "The Tracey Fragments" with Ellen Page playing a 15-year-old girl who runs away from home following a horrible event.
Doesn't matter who you are, every person has known some feeling of self-harm, whether it's literally cutting like in this movie or smoking cigarettes or eating a triple fudge brownie against your doctor's orders. Obviously this movie takes it a bit further than triple fudge brownies. Written by Steven Levenkron, a respected psychotherapist who has been studying disorders like anorexia since the 1970s, "Painful Secrets" takes an informed approach to the tricky subject of self-mutilation.
This is the story of a teenage girl whose dysfunctional family and social awkwardness lead her to cut herself, ironically, to control her pain. No, she doesn't do it for an orgasmic high like some people might think self-mutilation is about (that would be masochism); in this case she does it as a coping mechanism when her anxiety gets out of control. Not so different from the workout junkie at the gym who bench presses 350 lbs to feel the burn, "cutting" we learn is about physical control. The film assumes that you have some familiarity with the subject so it doesn't waste much time introducing the premise. Also don't expect a tidy Hollywood ending because something like this doesn't have any tidy Hollywood endings. Instead, this film delivers a very realistic story raising more questions than answers.
Being a USA Network TV production, it does have a certain polished "ABC afterschool special" feel, but not annoyingly so. In fact the glossy exterior works to its advantage later in the film when things get suddenly more intense and raw. I was impressed to see that the film didn't pull any punches in the last half. Although there is no explicit gore & sexuality on screen, the implications are pretty clear.
"Painful Secrets" doesn't claim to tell the story of every troubled teen, but it does a pretty good job of hitting the common issues that accompany the phenomenon of self-injury. In particular: alienation from society (no friends), bullying in school and conflicts at home. It's the home life that I found to be very well done. Nothing cartoonish like some Cinderella wicked stepmom, but much more subtle and insidious: a mother whose own fear of blame leads her to unintentionally heap guilt on her daughter. And perhaps more frighteningly common in American homes: a failing marriage that is secretly absorbed by the children (note to fighting parents: you can NOT hide it from your kids, they're smarter than you are).
The acting is very believable, with powerful moments from each major character: the girl (played by Kimberlee Peterson, known for The West Wing and Boston Public), the mother (played by Sean Young from the 80s thriller "No Way Out"), the father (played by Robert Wisden who has many TV credits from The X-Files to Stargate SG1 to Battlestar Galactica), and of course the therapist (played by Rhea Perlman from Cheers) who doesn't actually have a lot of screen time but plays each scene with the perfect amount of delicacy.
Regardless of subject matter, I'm a fan of films that force the audience to work. I never found the story to be dull or predictable. It kept my mind working from start to finish. Despite all outward appearances of being a made-for-TV-movie, this is one of the most unusual of the lot, at times with an indie feel like "The Squid and the Whale" (another great film about a troubled teen with a lousy home life). "Painful Secrets" gets bonus points for being the only movie I've heard of that boldly tackles the issue of self-harm. Another good film to consider is "Archie's Final Project" a somewhat light-hearted (though respectful) film about teen suicide, or if you're not afraid of experimental indie flicks check out "The Tracey Fragments" with Ellen Page playing a 15-year-old girl who runs away from home following a horrible event.