Low budget Australian affair about an obscure and remote mental "hospital" whose star patient, Patrick, forges a bloody bond with new smart and able but unsuspecting nurse Kathy Jacquard (Sharni Vinson). The opening prologue seems to promise another predictably lame slasher flick, and the entire film is a little slow to develop, yet the last half-hour or so entails some interesting and creative layers and twists. This film becomes a lot more distinct once we get to know Patrick's story. Decent all-around acting, with good performances by the three women who play the nurses: Vinson, Rachel Griffiths, and Peta Sergeant.
It seems the makers were trying to create a circa 1950 Gothic horror film set in the age of GPS with modern horror tropes (something like that). A valiant attempt, but PATRICK would have been better if it were more consistently modern. Many of the props (nurses' uniforms, etc) look unrealistically antiquated, and the outside views of the hospital. . .well, you can tell it's not an actual building. The constant rubber stamp suspense symphony soundtrack also gets a little annoying--There's just no need for it except in a few select spots. All the same, none of the various weaker points should get too much in the way if you're a big horror fan.
Some brief "incidental" nudity and a fair measure of really nasty-gory death and dismemberment. Still, PATRICK makes good use of its gore, using it briefly and shockingly.
It seems the makers were trying to create a circa 1950 Gothic horror film set in the age of GPS with modern horror tropes (something like that). A valiant attempt, but PATRICK would have been better if it were more consistently modern. Many of the props (nurses' uniforms, etc) look unrealistically antiquated, and the outside views of the hospital. . .well, you can tell it's not an actual building. The constant rubber stamp suspense symphony soundtrack also gets a little annoying--There's just no need for it except in a few select spots. All the same, none of the various weaker points should get too much in the way if you're a big horror fan.
Some brief "incidental" nudity and a fair measure of really nasty-gory death and dismemberment. Still, PATRICK makes good use of its gore, using it briefly and shockingly.