After a family tragedy in the chaotic city, Chris and Maggie Conley, in a last-ditch effort to save their dying marriage, purchase an isolated home in the deepest woods, to which they quickly discover evil has a key.
What do we have? A great looking picture, solid acting and plenty of atmosphere. And for what it's worth, the poster is wonderfully designed. So nice to see something artistic and not the same old tropes.
The film is a bit of what you might call the "slow burn", not really picking up until about 53 minutes in (and then creating tension by using music derivative of ABC's "Lost" before slowing back down).
Director David Mun has a long list of credits going back to 2001, mostly in technical categories (lighting and electrical). This is actually his directing debut, which makes it even more impressive.
What do we have? A great looking picture, solid acting and plenty of atmosphere. And for what it's worth, the poster is wonderfully designed. So nice to see something artistic and not the same old tropes.
The film is a bit of what you might call the "slow burn", not really picking up until about 53 minutes in (and then creating tension by using music derivative of ABC's "Lost" before slowing back down).
Director David Mun has a long list of credits going back to 2001, mostly in technical categories (lighting and electrical). This is actually his directing debut, which makes it even more impressive.