As to be expected, the beautifully acted, superbly immersive crime drama, 'Io ho paura' (1977) is yet another refined, strongly written, engagingly adult thriller from the hugely respected Italian auteur, Damiano Damiani, whose staggeringly classy output of immaculately made Gialli/poliziotteschi tends to focus intelligently on narrative nuance, probing deeper into character development, and moral complexities, rather than merely exploiting the more visceral approach of haymaker fisticuffs, car-carnage, and balletic blood spills to maintain the viewer's interest.
Disenfranchised, visibly shop-worn Bodyguard, Ludovico Graziano, played to perfection by the enormously charismatic actor, Gian Maria Volontè gradually finds his life spiralling into ever murkier, increasingly dangerous waters after fatefully accepting the far from routine position of bodyguard to Judge Cancedda (Erland Josephson). The internecine political squabbles eventually escalate to palpable life threatening dread whereby Graziano is forced to confront a truly terrifying reality! 'Io ho Paura' aka 'I am Afraid' (1977) is a damn fine motion picture, and one desperately in need of a brand-new restoration for a long overdue Blu-ray edition. It would be entirely remiss of me if I failed to mention the lushly appealing, extraordinarily effective, skin-caressingly lovely score by the incomparable music maestro, Riz Ortolani.
Disenfranchised, visibly shop-worn Bodyguard, Ludovico Graziano, played to perfection by the enormously charismatic actor, Gian Maria Volontè gradually finds his life spiralling into ever murkier, increasingly dangerous waters after fatefully accepting the far from routine position of bodyguard to Judge Cancedda (Erland Josephson). The internecine political squabbles eventually escalate to palpable life threatening dread whereby Graziano is forced to confront a truly terrifying reality! 'Io ho Paura' aka 'I am Afraid' (1977) is a damn fine motion picture, and one desperately in need of a brand-new restoration for a long overdue Blu-ray edition. It would be entirely remiss of me if I failed to mention the lushly appealing, extraordinarily effective, skin-caressingly lovely score by the incomparable music maestro, Riz Ortolani.