Crime of Passion sees ambitious journalist Kathy fall for and marry the simple cop Bill Doyle and move into a world of settled domesticity. Her ambitions however are not satisfied and as she tries to manipulate her way up the social and career ladder for her and Bill, she loses sight of what is important and things start to go wrong.
With Stanwyck, Burr and Hayden in the cast I was looking forward to this film and on that front I was happy enough because the cast were as solid as those names would suggest. The problem is not with them but rather with a plot that moves too quickly, doesn't always ring true and is tidied up too easily. We meet Kathy as an aspiring journalist who has ambitions but within a few scenes she has settled down with Bill – a man that one key scene in their new home tells us, that she really doesn't know at all but it is clear to the viewer that the life models for these two don't align. Suddenly we have personal ambitions replaced with ambitions for Bill's career and from there things go wrong in ways that don't really ring true either. I liked Kathy as a character but her frustrations are all over the place – she hates the domestic life of the housewife circle but yet her attempts at betterment are focused on Bill, not herself. Her relationship with Tony Pope is also out of nowhere and again doesn't convince. From here things move very quickly to a conclusion that is far too tidy for its own good and doesn't satisfy as it should.
The delivery of the situations always feels rushed and although it pushes a dark tone, it doesn't support it with the material. The cast do all they can though and indeed it is Stanwyck that makes the difference as she sells her character the best she can. Her driven and frustrated performance makes the unconvincing narrative a little less unconvincing. Hayden is solid as you expect and I liked this naïve, rather plain- living character. Burr is a decent presence but he is a narrative device rather than a character – he serves this function well but nothing more.
Crime of Passion should have been a much stronger film but instead the narrative is unconvincing and jumps events without making good connections. The cast help cover for this and give good turns but the film is not really deserving of their efforts.
With Stanwyck, Burr and Hayden in the cast I was looking forward to this film and on that front I was happy enough because the cast were as solid as those names would suggest. The problem is not with them but rather with a plot that moves too quickly, doesn't always ring true and is tidied up too easily. We meet Kathy as an aspiring journalist who has ambitions but within a few scenes she has settled down with Bill – a man that one key scene in their new home tells us, that she really doesn't know at all but it is clear to the viewer that the life models for these two don't align. Suddenly we have personal ambitions replaced with ambitions for Bill's career and from there things go wrong in ways that don't really ring true either. I liked Kathy as a character but her frustrations are all over the place – she hates the domestic life of the housewife circle but yet her attempts at betterment are focused on Bill, not herself. Her relationship with Tony Pope is also out of nowhere and again doesn't convince. From here things move very quickly to a conclusion that is far too tidy for its own good and doesn't satisfy as it should.
The delivery of the situations always feels rushed and although it pushes a dark tone, it doesn't support it with the material. The cast do all they can though and indeed it is Stanwyck that makes the difference as she sells her character the best she can. Her driven and frustrated performance makes the unconvincing narrative a little less unconvincing. Hayden is solid as you expect and I liked this naïve, rather plain- living character. Burr is a decent presence but he is a narrative device rather than a character – he serves this function well but nothing more.
Crime of Passion should have been a much stronger film but instead the narrative is unconvincing and jumps events without making good connections. The cast help cover for this and give good turns but the film is not really deserving of their efforts.