In the Loop is consistently funny. The dialogue is frequently acerbic, witty and smart in a way that would probably make Oscar Wilde envious. Underpinned by a mature cynicism about contemporary Western politics and psyche, In the Loop is a scalding critique of global super powers made extremely palatable by brilliant humor.
The performances are spirited, precise and unforgettable. Peter Capaldi, whose character has basically weaponized the English language steals every scene in which he appears. James Gandolfini is a treat to watch as a jaded general, intimidating, but good-humored and far outside the tough guy image his role in The Sopranos established for him. Anna Chlumsky plays a formidable political operative whose vulnerability adds great depth to her character.
Like a good sitcom, In the Loop is extremely rewatchable and filled with quotable lines. Like any quality artistic comedy, there is a distinct tinge of tragedy to it, especially as you watch ineptitude, ego and self-serving political maneuvering lead to war. If you like political satire, or humor that presumes a modicum of intelligence in its viewers, you have no reason not to watch In the Loop.
The performances are spirited, precise and unforgettable. Peter Capaldi, whose character has basically weaponized the English language steals every scene in which he appears. James Gandolfini is a treat to watch as a jaded general, intimidating, but good-humored and far outside the tough guy image his role in The Sopranos established for him. Anna Chlumsky plays a formidable political operative whose vulnerability adds great depth to her character.
Like a good sitcom, In the Loop is extremely rewatchable and filled with quotable lines. Like any quality artistic comedy, there is a distinct tinge of tragedy to it, especially as you watch ineptitude, ego and self-serving political maneuvering lead to war. If you like political satire, or humor that presumes a modicum of intelligence in its viewers, you have no reason not to watch In the Loop.