According to Irresistible force paradox "What happens when an unstoppable force meets an immovable object?" .This is best suited to flicks in which a successful director meets a successful actor. In this venture either one of them is bound to go out of their way to satisfy the other. In case of "Thalaiva", the director sacrifices and becomes a savior bigger than the one pictured throughout the film.
For how long will a savior be symbolized by a slow motioned- sun etched silhouette and a trademark dress that becomes the savior's uniform? This is one of the many questions that arose during the movie. There are many such obvious flaws which make the movie less interesting than it should have been.
For a start, the first half runs on two factors, the protagonist's romantic track and his dance competition. But, it doesn't take a genius to figure out how both the tracks are likely to end and this creates a vacuum between the viewers and the viewed. Santhanam tries to fill this vacuum but after a while, the "bro" factor loses its charm and becomes another speed breaker in the already slow screen play.
The second half is nothing but the old coffee brewed under a new outfit but the essence and odor remains the same. The unnecessary addition of characters (Australian gang that competes with Vijay) questions the credibility of the director, this is the first time that the director has used violence to this extent, the only reason being the hero himself.
Sathyaraj plays a calm mannered Don similar to Velu Naickar (Nayagan) but his presence is felt mostly through his chant "Anna" and his snapshots. Amala paul plays two shades of Grey in the two halves and ends up as the better half.
Actor Vijay should pay the same attention to the screenplay that he does to his character. After a rejuvenating success of "Thuppaki" that pulled in repeat audiences, this film is bound to disappoint. The flick lacks pace, never gives the audience a chance to guess, lacks a powerful villain and is scripted for the hero rather than being the other way around.
When Vijay and Santhanam are offered a hot drink, they identify it as Black Coffee but the chef calls it "RASAM" (Curry). The same goes for the movie.
Tamil Cinema desperately needs better scripts and powerful villains.
Until we get another Thuppaki, "I AM WAITING", thuppaki style.
For how long will a savior be symbolized by a slow motioned- sun etched silhouette and a trademark dress that becomes the savior's uniform? This is one of the many questions that arose during the movie. There are many such obvious flaws which make the movie less interesting than it should have been.
For a start, the first half runs on two factors, the protagonist's romantic track and his dance competition. But, it doesn't take a genius to figure out how both the tracks are likely to end and this creates a vacuum between the viewers and the viewed. Santhanam tries to fill this vacuum but after a while, the "bro" factor loses its charm and becomes another speed breaker in the already slow screen play.
The second half is nothing but the old coffee brewed under a new outfit but the essence and odor remains the same. The unnecessary addition of characters (Australian gang that competes with Vijay) questions the credibility of the director, this is the first time that the director has used violence to this extent, the only reason being the hero himself.
Sathyaraj plays a calm mannered Don similar to Velu Naickar (Nayagan) but his presence is felt mostly through his chant "Anna" and his snapshots. Amala paul plays two shades of Grey in the two halves and ends up as the better half.
Actor Vijay should pay the same attention to the screenplay that he does to his character. After a rejuvenating success of "Thuppaki" that pulled in repeat audiences, this film is bound to disappoint. The flick lacks pace, never gives the audience a chance to guess, lacks a powerful villain and is scripted for the hero rather than being the other way around.
When Vijay and Santhanam are offered a hot drink, they identify it as Black Coffee but the chef calls it "RASAM" (Curry). The same goes for the movie.
Tamil Cinema desperately needs better scripts and powerful villains.
Until we get another Thuppaki, "I AM WAITING", thuppaki style.