After watching "The Bucket List" (starring Will Smith and De Niro) last week, one particular phrase from the movie really stood out to me. "Witness something truly majestic" was the main characters fateful ambition, an idea which I, myself, took an immediate interest in.
Little did I know that two days later I would achieve this feat, when watching Justin Steele's Death and Cremation (2010). This amazing story sees Stanley (Brad Dourif), a lonely psychopath and serial killer working at a small town's crematorium, hire equally troubled teenager Jarod (Jeremy Sumpter) after the latter's stubborn persistence. What ensues is a riveting tale of unparalleled cinematic brilliance and character development not seen since the likes of Citizen Kane (1941).
The father-son dynamic which the viewer sees slowly unfold between the two main characters is one of the most powerful moments you will ever bare witness to in a film, and the intelligently written story will see you completely absorbed from start to finish. A particularly spectacular scene of note sees the two protagonists attempt to hide a body from the teenager's unsuspecting mother. This scene is possibly the funniest scene to ever grace the big screen in living memory, and alone easily merits a score of 10 for the movie.
I will close by simply saying, watch this movie. Watch it not because it is so damn great (it really is) but because you long to discover the genius of imagination brought to life. Watch it because it will prove to you that movies can be more than just movies. But most of all, watch it because is it better than The Woman.
Little did I know that two days later I would achieve this feat, when watching Justin Steele's Death and Cremation (2010). This amazing story sees Stanley (Brad Dourif), a lonely psychopath and serial killer working at a small town's crematorium, hire equally troubled teenager Jarod (Jeremy Sumpter) after the latter's stubborn persistence. What ensues is a riveting tale of unparalleled cinematic brilliance and character development not seen since the likes of Citizen Kane (1941).
The father-son dynamic which the viewer sees slowly unfold between the two main characters is one of the most powerful moments you will ever bare witness to in a film, and the intelligently written story will see you completely absorbed from start to finish. A particularly spectacular scene of note sees the two protagonists attempt to hide a body from the teenager's unsuspecting mother. This scene is possibly the funniest scene to ever grace the big screen in living memory, and alone easily merits a score of 10 for the movie.
I will close by simply saying, watch this movie. Watch it not because it is so damn great (it really is) but because you long to discover the genius of imagination brought to life. Watch it because it will prove to you that movies can be more than just movies. But most of all, watch it because is it better than The Woman.