Anna Karenina (2000– )
8/10
Pinpoints The Plot In Great Detail, But With Somewhat Charmless Leads
9 April 2013
If you're craving an adaptation of Tolstoy's psychological and social masterpiece, this version comes the closest to an overall assessment, simply because it has the time to cover the all-important story of the earthy Levin and his beloved Kitty; as in the book, Anna takes the focus purely because she is the embodiment of a scandal, living totally for her feelings, and living selfishly.

Having just finished the book, and then watched four different versions of the Russian epic, I do not doubt this version comes closest to the spirit of the book, even though Helen McCrory as Anna completely lacks the mesmerizing attraction of say, Garbo or Leigh--but both their films are Masterplot editions, and studio bound, although each have their own strengths--the MGM team to recreate lavish set pieces, and in the latter case, Vivien Leigh sparring with Sir Ralph Richardson, as a mannered, pompous, easily rattled husband.

In this 2000 Masterpiece Theatre version, David Henshall is a standout as Levin, drawing the viewer into the intensely introverted, thoughtful landowner, Tolstoy's cover for himself. When it comes down to it, the novel cannot be translated to the screen, even less so than War And Peace, but the director of this one did his best, even if his chosen leads are less than stellar.
6 out of 6 found this helpful. Was this review helpful? Sign in to vote.
Permalink

Recently Viewed