On Civil War's eve, the Union pushes for completion of a railroad to the West, while the Confederacy works to prevent it.
Decent western that makes good us of its limited budget. The cannon duel is imaginative as heck and a good effect that avoids western cliché. Lots of familiar faces in supporting roles, especially MacLane, Hadley and Fowley. Since the plot concerns Civil War rivalries, the bad guys can't be too bad since they're fighting for the Southern cause. I like the way attention is paid to technicalities of railway building, which lends realistic atmosphere. Too bad they have to work in a romance that dangles like a needless appendage, but I guess that's commercial filmmaking
Something should be said for Sterling Hayden, always an interesting actor even if he hated the profession. Too gangly and taciturn to be a leading man, he's perfect for an action role like this. And who can forget his grim- faced attachment to his horses in The Asphalt Jungle (1950). It's an outward stoicism that still conveys unexpected feeling. Or his philosophical resignation upon leaving the airport in Kubrick's masterpiece The Killing (1956). By all accounts he was a fascinating man as well as an underrated actor.
Anyway, this is a nicely done outdoor western with a good cast.
Decent western that makes good us of its limited budget. The cannon duel is imaginative as heck and a good effect that avoids western cliché. Lots of familiar faces in supporting roles, especially MacLane, Hadley and Fowley. Since the plot concerns Civil War rivalries, the bad guys can't be too bad since they're fighting for the Southern cause. I like the way attention is paid to technicalities of railway building, which lends realistic atmosphere. Too bad they have to work in a romance that dangles like a needless appendage, but I guess that's commercial filmmaking
Something should be said for Sterling Hayden, always an interesting actor even if he hated the profession. Too gangly and taciturn to be a leading man, he's perfect for an action role like this. And who can forget his grim- faced attachment to his horses in The Asphalt Jungle (1950). It's an outward stoicism that still conveys unexpected feeling. Or his philosophical resignation upon leaving the airport in Kubrick's masterpiece The Killing (1956). By all accounts he was a fascinating man as well as an underrated actor.
Anyway, this is a nicely done outdoor western with a good cast.