You like films that make you laugh so much that your stomach hurts? Then, this is your film. Red Skelton, on loan to Columbia from MGM, strikes gold. As the title suggests, he's a salesman selling brushes, but it is not all sugar and cream for him. His girlfriend Janet Blair's supposed male friend (Don McGuire) gives Skelton the opportunity to sell brushes, setting him up to fail so he can move in on Blair. Skelton and Blair get involved in murder with hysterical results.
The movie is overabundant with hysterically funny gags straight out of vaudeville, and it is amazing how many of them work. The initial selling sequences are filled with gags straight out of the classic shorts that influenced the first wave of television sitcoms. Skelton hysterically deals with a rascally kid with a speech impediment, a temperamental actress out to vamp him (Adele Jergens), and finally, the gardeners of the man who had him fired from his job who ends up becoming the unfortunate murder victim. A hysterical sequence in Skelton's kitchen (straight out of the state room sequence from "A Night at the Opera") follows with a group of suspects and of course, a riotously funny finale in a warehouse.
Like its even more outrageous follow-up, "The Fuller Brush Girl", the film was headway for a funny redhead to move into greater success on television.
The movie is overabundant with hysterically funny gags straight out of vaudeville, and it is amazing how many of them work. The initial selling sequences are filled with gags straight out of the classic shorts that influenced the first wave of television sitcoms. Skelton hysterically deals with a rascally kid with a speech impediment, a temperamental actress out to vamp him (Adele Jergens), and finally, the gardeners of the man who had him fired from his job who ends up becoming the unfortunate murder victim. A hysterical sequence in Skelton's kitchen (straight out of the state room sequence from "A Night at the Opera") follows with a group of suspects and of course, a riotously funny finale in a warehouse.
Like its even more outrageous follow-up, "The Fuller Brush Girl", the film was headway for a funny redhead to move into greater success on television.