Kenji Mizoguchi, an important figure in the history of Japanese cinema, is very well known for his collaboration on the portrayal of Japanese women on screen; one of the first reasons for this being his sister, who was sold to a geisha house by his father's decision. This highly contributed to his attachment to highlighting women on his films.
This is another film where geishas and their lives are involved. The story concerns one geisha and her apprentice, who is supposed to have the will to take the training into full practice and seriousness. Everything seemed fine when the training was in process, but when it came to conclusion, Eiko (the apprentice) had to debut as a geisha, but could not bring herself to accept her chosen client. Likewise, Miyoharu (Eiko's trainer), finds trouble when rejecting a client in love with her. Both rejected clients happened to be wealthy businessmen important to the geisha house where they worked, thus finding problems from there on.
While the film may not be Mizoguchi's best, I can assure it is a wonderful joy to behold its cinematography. The camera positions and movements are just something to appreciate, accompanied by a totally honest and credible acting by pretty much every actor/actress involved.
If you have liked everything you have seen from this wonderful director, there is absolutely not any reason why you should not get your hands on this film.
My score: 7.5/10
This is another film where geishas and their lives are involved. The story concerns one geisha and her apprentice, who is supposed to have the will to take the training into full practice and seriousness. Everything seemed fine when the training was in process, but when it came to conclusion, Eiko (the apprentice) had to debut as a geisha, but could not bring herself to accept her chosen client. Likewise, Miyoharu (Eiko's trainer), finds trouble when rejecting a client in love with her. Both rejected clients happened to be wealthy businessmen important to the geisha house where they worked, thus finding problems from there on.
While the film may not be Mizoguchi's best, I can assure it is a wonderful joy to behold its cinematography. The camera positions and movements are just something to appreciate, accompanied by a totally honest and credible acting by pretty much every actor/actress involved.
If you have liked everything you have seen from this wonderful director, there is absolutely not any reason why you should not get your hands on this film.
My score: 7.5/10