9/10
Twisted but well done
26 May 2012
This film is twisted as hell itself. This is not the film to see if you're looking for a feel-good Hollywood anesthetic. If, however, you wish to experience a great film, then I highly recommend *Transatlantic Coffee*. Its disturbing twist on the American life may be too difficult for some--especially the very dark scenes--but that is part of what makes the film such quality fare. Erik Peter Carlson's screenplay is tight and flawless, and his direction is inspired. Especially impressive is the way he and cinematographer Dan Witrock approach the post 911 landscapes. It's not forced, but it's there and it offers the most frightening, creepy feeling that was felt during those months, that I have scene in any film about the period. That said, this is not a 911 picture, not by a long shot.

But the cast, not to be outdone by their crew, is equally notable. Kevin Pinassi gives an incredible performance. Rachel Marie Lewis is phenomenal as a witty teenager who comes to New York from London, during a devastating time for the Big Apple.

Audiences at the screening I saw were commenting on the film's similarities to other films as they exited the theater. Granted, *Transatlantic Coffee* is not for everyone, especially kids, which parents, for one reason or another, decided to bring along! Make no mistake, this is NOT a romantic comedy. The differences of genres are too numerous to note here, but suffice it to say that *Transatlantic Coffee* is a great work in its own right, and deserves to be appreciated as such.
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