If you were looking for a clean movie, Steve Taylor's film Blue Like Jazz is anything but. Make no mistake, there's no alter call, no stunning realization, there's no exhortation, or trumpets blaring, there's no rapture, or angels and even the manger is empty. If you were expecting a piece of "Christian" art you won't get it here.
Based on Donald Miller's bestselling memoir/essays of the same name it tells the story of Don Miller, a born and bread Christian kid from Texas who finds himself at Reed College in Oregon. There he shed's his clean cut ways and discovers that we all have to rebel sometimes.
Like an Evangelical Rumspringa Blue Like Jazz is full of objectionable PG-13 content that might make a church lady faint. Swearing, drinking, sexuality and drug use are all accounted for in this film and director Taylor uses it not to offend but disarm. This is a story about the search in everyones life for authentic faith in a secular world. Make no mistake the content in this film is not clean, but it's also not gratuitous. For this film to really work you have to believe that these college aged kids are real. To whitewash it is to destroy the very message trying to be conveyed. This is a film about the meeting of the sacred and the secular, and that never feels clean.
The screenplay tends to lose focus and a good amount of suspense is wasted because you can see a lot of Character motivations from a mile a way. One or two more passes at the screenplay may have fixed some of the meandering plot points, but overall there are moments of sweet serendipity, moments that are honest and real, unfortunately it makes the weaker, and sloppier points of characterization and plot stick out like a sore thumb.
For instance there is a love story buried in this tale and lead actors Marshall Allman and Claire Holt have a sweet and natural chemistry, but the screenplay has a secret it sits on and forces Holt's Character Penny into the background, and shift focus to a character that is funny, but not as compelling. Another pass on the screenplay may have brought this relationship to a higher place.
All in all though for the not easily offended Blue Like Jazz is gutsy, sweet, and pretty funny. Warts and all it presents a fairly realistic and quirky look into the nature of belief, finding truth, and gaining purpose when the world around us looks plastic and manufactured. I liked this movie, warts and all.
It's a film about faith, it's a film about life, and it's a film about how we all have to wake up one morning and decide if what we believe is true. It should spark some really nice dinner conversation, about the nature of faith, and the nature of God. It's about the melding of the sacred and spiritual, but more importantly it's about coming to the realization that we're all dirty, broken, and have rebelled, and yet God doesn't give up on us.
Now where do I get that Coltrane album.
Based on Donald Miller's bestselling memoir/essays of the same name it tells the story of Don Miller, a born and bread Christian kid from Texas who finds himself at Reed College in Oregon. There he shed's his clean cut ways and discovers that we all have to rebel sometimes.
Like an Evangelical Rumspringa Blue Like Jazz is full of objectionable PG-13 content that might make a church lady faint. Swearing, drinking, sexuality and drug use are all accounted for in this film and director Taylor uses it not to offend but disarm. This is a story about the search in everyones life for authentic faith in a secular world. Make no mistake the content in this film is not clean, but it's also not gratuitous. For this film to really work you have to believe that these college aged kids are real. To whitewash it is to destroy the very message trying to be conveyed. This is a film about the meeting of the sacred and the secular, and that never feels clean.
The screenplay tends to lose focus and a good amount of suspense is wasted because you can see a lot of Character motivations from a mile a way. One or two more passes at the screenplay may have fixed some of the meandering plot points, but overall there are moments of sweet serendipity, moments that are honest and real, unfortunately it makes the weaker, and sloppier points of characterization and plot stick out like a sore thumb.
For instance there is a love story buried in this tale and lead actors Marshall Allman and Claire Holt have a sweet and natural chemistry, but the screenplay has a secret it sits on and forces Holt's Character Penny into the background, and shift focus to a character that is funny, but not as compelling. Another pass on the screenplay may have brought this relationship to a higher place.
All in all though for the not easily offended Blue Like Jazz is gutsy, sweet, and pretty funny. Warts and all it presents a fairly realistic and quirky look into the nature of belief, finding truth, and gaining purpose when the world around us looks plastic and manufactured. I liked this movie, warts and all.
It's a film about faith, it's a film about life, and it's a film about how we all have to wake up one morning and decide if what we believe is true. It should spark some really nice dinner conversation, about the nature of faith, and the nature of God. It's about the melding of the sacred and spiritual, but more importantly it's about coming to the realization that we're all dirty, broken, and have rebelled, and yet God doesn't give up on us.
Now where do I get that Coltrane album.