Christopher Plummer is always worth watching, so I sat through this whole production Not for the first time, I kept wishing that "On Golden Pond" was less of a glossed over, wishy-washy, happy-ending sort of show. Both the play and the film, and this version, too, gloss over the fact that Norman Thayer is truly a cruel person who was deliberately unkind to his daughter all her life. He seems to have been unkind, sarcastic, and verbally abusive to a great many people. I wouldn't want to be his daughter and I wouldn't want to be his wife. He's embittered and negative, and there seems to be no reason for his embitteredness as his life, as we are shown it, seems to have been a fortunate one. He and his wife appear to have no money troubles, he was successful in his career, his wife sticks by him and loves him -- what the he** is his problem? Every version of On Golden Pond presents Norman as a sort of curmudgeon, an old "poop." But he's not just an old curmudgeon. He's nasty. He hurt Chelsea. There's no reason to believe he won't continue to hurt Chelsea, even after their little confrontation/reconciliation. Consider how he refuses to tell her on the phone that he and Ethel will visit Chelsea and Bill in January? He later says it to the boy. But not to Chelsea. No, he's got to leave her hanging. He can't say they'll come. He can't give her that satisfaction or even allow her to plan. It's creepy.
I've never understood why On Golden Pond is considered a sweet, love story. I just don't get it.
This TV version is okay. Just okay. Plummer and Andrews turn in professional performances. They have chemistry together, that's obvious. Headly, playing the daughter, is less believable and seems nervous even when Norman isn't in the room. Sam Robards as Bill seems twitchy, too. The boy's role is downplayed in this version and he doesn't really get a chance to register. The set is excellent. There's some strikingly bad camera work here and there, more than I think is acceptable, even in a live production.
The best part of the whole production is the promo at the beginning when the camera zooms in on Plummer and Andrews in a private room. They're supposedly rehearsing, but are actually playing Go Fish. It was cute. If you listen, you can hear the difference between Plummer's actual, strong voice in that promo, and his strained, weaker voice as Norman.
I also love the bit when Plummer is on the phone with the boy, and says that Dumas, author of The Three Musketeers, is not pronounced Dumb-A**. Whenever I see Alexandre Dumas' name from now on, I'm going to think of that :-).
I've never understood why On Golden Pond is considered a sweet, love story. I just don't get it.
This TV version is okay. Just okay. Plummer and Andrews turn in professional performances. They have chemistry together, that's obvious. Headly, playing the daughter, is less believable and seems nervous even when Norman isn't in the room. Sam Robards as Bill seems twitchy, too. The boy's role is downplayed in this version and he doesn't really get a chance to register. The set is excellent. There's some strikingly bad camera work here and there, more than I think is acceptable, even in a live production.
The best part of the whole production is the promo at the beginning when the camera zooms in on Plummer and Andrews in a private room. They're supposedly rehearsing, but are actually playing Go Fish. It was cute. If you listen, you can hear the difference between Plummer's actual, strong voice in that promo, and his strained, weaker voice as Norman.
I also love the bit when Plummer is on the phone with the boy, and says that Dumas, author of The Three Musketeers, is not pronounced Dumb-A**. Whenever I see Alexandre Dumas' name from now on, I'm going to think of that :-).