Very interesting documentary about Appalachian photographer Shelby Lee Adams, and the ongoing debate as to whether his photos are too "faked" or staged, and whether they reinforce stereotypes about Appalachia and its people.
Or whether they use valid techniques to reveal deep insight into a time, place, and way of life.
Whatever your philosophy about the "truth" of photos, there is no arguing that many of the images are striking and powerful indeed.
Yet somehow the film stays just a touch too much on the surface. While seeing the worlds of religious snake handlers, etc is fascinating, and some of the intellectual arguments about Shelby"s work are interesting (although tilted towards Shelby by the choice of supercilious, obnoxious commentators on the critical side), the documentary never feels quite as deep or as interesting as the photos themselves.
Yet, all my carping aside, this is strong and well worth seeing on balance, especially if you have any interest in photography, the Appalachian world or the ever ongoing debate on what is "truth" in art.
Or whether they use valid techniques to reveal deep insight into a time, place, and way of life.
Whatever your philosophy about the "truth" of photos, there is no arguing that many of the images are striking and powerful indeed.
Yet somehow the film stays just a touch too much on the surface. While seeing the worlds of religious snake handlers, etc is fascinating, and some of the intellectual arguments about Shelby"s work are interesting (although tilted towards Shelby by the choice of supercilious, obnoxious commentators on the critical side), the documentary never feels quite as deep or as interesting as the photos themselves.
Yet, all my carping aside, this is strong and well worth seeing on balance, especially if you have any interest in photography, the Appalachian world or the ever ongoing debate on what is "truth" in art.