1951's "The Strange Door" is something of a throwback to the Gothic horrors of previous decades, except that it comes from Universal, which rarely did such pictures (1939's "Tower of London" and 1940's "The House of the Seven Gables" instantly come to mind). Reuniting Charles Laughton and Boris Karloff 19 years after 1932's "The Old Dark House" (James Whale English Gothic), Laughton especially has a field day, alternately menacing and comical, and always fun to watch. Karloff is sadly reduced to a tongue-in-cheek servant role, quietly speaking his lines while rolling his eyes with great frequency. The château was used as a torture chamber during the Middle Ages, featuring a dungeon full of armor and weapons, plus a cell where the walls come together (Lugosi made use of one in 1935's "The Raven"). Richard Stapley (later Wyler) makes little impression as the hero, but Sally Forrest captures the eye as the endangered beauty (even lovelier in "Son of Sinbad" with Vincent Price, where she dances in a skimpy harem outfit). Laughton's sadistic nobleman is ably supported by a terrific supporting cast of rogues ("villainy binds men together!"), with William Cottrell, whom I've never seen in anything else, Morgan Farley, and Hollywood newcomer Michael Pate, who earns a piece of mutton for his handling of a bribe (he later starred as the vampire gunslinger in Universal's 1959 "Curse of the Undead"). Paul Cavanagh and Alan Napier have smaller roles, but are welcome faces nonetheless. This eternally underrated little 'B' features music cues from "The Wolf Man," "Frankenstein Meets the Wolf Man," and "House of Frankenstein," and was followed a year later by a similar Gothic, "The Black Castle," also featuring Karloff and Pate.
Review of The Strange Door
