Whether he's doing purely slapstick stunts or tongue-twisting feats ("the packet in the pocket of the jacket or the packet in the boot with the buckle" kind of stuff), RED SKELTON never misses a moment to get the most out of the series of gags upon which the screenplay of A SOUTHERN YANKEE is built.
The fun starts when he accidentally knocks out a real Southern spy known as The Grey Spider (GEORGE COULOURIS) and is chosen to take his place and given fake plans to deliver to the Union troops. Naturally, being the goof-ball that he is, he gets everything mixed up and has to cope with a bunch of hilarious mistakes--and so does everyone else.
ARLENE DAHL is amusing as the daughter of a Southern general (CHARLES DINGLE) and makes an amusing foil for many of Skelton's gags. The script has plenty of inventive situations, some of them proposed by none other than Buster Keaton who had his own Southern spy comedy years ago called "The General." BRIAN DONLEVY and JOHN IRELAND are given little to do but cope with Skelton's antics but he's practically the whole show anyway.
The brisk comedy directed by Edward Sedgwick is a better than average vehicle for Skelton's comedy style and should definitely please Skelton fans.
Note: If this had been made at Paramount, it would have been an ideal vehicle for Bob Hope.
The fun starts when he accidentally knocks out a real Southern spy known as The Grey Spider (GEORGE COULOURIS) and is chosen to take his place and given fake plans to deliver to the Union troops. Naturally, being the goof-ball that he is, he gets everything mixed up and has to cope with a bunch of hilarious mistakes--and so does everyone else.
ARLENE DAHL is amusing as the daughter of a Southern general (CHARLES DINGLE) and makes an amusing foil for many of Skelton's gags. The script has plenty of inventive situations, some of them proposed by none other than Buster Keaton who had his own Southern spy comedy years ago called "The General." BRIAN DONLEVY and JOHN IRELAND are given little to do but cope with Skelton's antics but he's practically the whole show anyway.
The brisk comedy directed by Edward Sedgwick is a better than average vehicle for Skelton's comedy style and should definitely please Skelton fans.
Note: If this had been made at Paramount, it would have been an ideal vehicle for Bob Hope.