I doubt that "Juan" will win many new converts to opera, but it's great fun for the already converted, an ingenious attempt (mostly successful) to update Mozart's opera to the smart-set of Budapest — people who fall hopelessly in love and thrive on delusion using cell phones, TV monitors, video cams and Mac laptops.
Frankly, I wouldn't wish Italian opera sung in English on my worst enemy; I would have preferred a "Juan" sung in Italian, but I guess English is the world language of update. One aspect of the film I did not enjoy was the English subtitles: why use them when everyone sang loud and clear? For me the best singer was Mikhail Petrenko (Leporello) followed by Christopher Maltman as Juan who looks sexy enough to conquer 1003 women in Spain.
Leporello's aria "One thousand and three" blew me away: his use of a Mac laptop and Mac software to display Juan's conquests is utterly brilliant.
Frankly, I wouldn't wish Italian opera sung in English on my worst enemy; I would have preferred a "Juan" sung in Italian, but I guess English is the world language of update. One aspect of the film I did not enjoy was the English subtitles: why use them when everyone sang loud and clear? For me the best singer was Mikhail Petrenko (Leporello) followed by Christopher Maltman as Juan who looks sexy enough to conquer 1003 women in Spain.
Leporello's aria "One thousand and three" blew me away: his use of a Mac laptop and Mac software to display Juan's conquests is utterly brilliant.