By the time you get to my review, you already know almost all you need to know about this movie. I have been a baseball fan for most of my life, growing up in the Chicago area, and going to many Cubs and White Sox games. And I have seen most of the baseball movies. This one is different and above average, with its strong international cultural component, comparing humanity's only civilized sport in an unknown venue, Japan, with my fading "National Pastime" in the United States. Watching how the Japanese have transformed our sport is unnerving at first, but I eventually relaxed and went with the flow. At least on film, the "Dragons" play on an incredibly ugly dirty field, with people jammed in around wall-to-wall like sardines. In fact, Japanese cultural differences are mostly caused by extreme overpopulation, where every time they turn around, they hit someone. Concealing emotion behind courtesy keeps their world from tipping into total chaos. Luckily, the baseball action looks official, because a lot of the players are retired professionals. Sellick also had some training as a ball player in his past.
The movie is about Tom Sellick's behavioral transformation from "The Ugly American Strikes Out Again" to "The Guy Who Fits In Everywhere Without Needing a Baseball Bat"; with his new fellow jocks, the Type A manager, his love interest, and even the owner/investors. Tom overplays his initial jerk phase, making his realizations about how to succeed in a foreign culture seem less plausible, but emphasizes his cultural evolution. Sellick, an actor with extreme staying power and a new series in 2010, has a universally excellent supporting cast.
Although I have never visited Japan, seeing this movie makes that eventuality less likely. I don't like naked reinforced concrete walls and raw steel, displayed here in abundance. Thanks to our WWII carpet bombing, at least the Japanese don't make their buildings out of wood and paper anymore!
The movie is about Tom Sellick's behavioral transformation from "The Ugly American Strikes Out Again" to "The Guy Who Fits In Everywhere Without Needing a Baseball Bat"; with his new fellow jocks, the Type A manager, his love interest, and even the owner/investors. Tom overplays his initial jerk phase, making his realizations about how to succeed in a foreign culture seem less plausible, but emphasizes his cultural evolution. Sellick, an actor with extreme staying power and a new series in 2010, has a universally excellent supporting cast.
Although I have never visited Japan, seeing this movie makes that eventuality less likely. I don't like naked reinforced concrete walls and raw steel, displayed here in abundance. Thanks to our WWII carpet bombing, at least the Japanese don't make their buildings out of wood and paper anymore!