At 17, I love David Lean, his films are filled with beautiful images and he also directs with real flair. Lawrence of Arabia is a perfect example of movie-making at its finest, the whole film is absolutely phenomenal in every aspect:
Whether it is the film's visual style. Lawrence of Arabia is filled with absolutely beautiful images, such as the mirage that introduced us to Omar Sharif. I don't think this could be possible without the astounding cinematography, or the stunning, picturesque Morrocan, Saudi Arabian, Spanish and English locations. The shots of the desert were visually jaw dropping and the battle scenes are unforgettable. But that is the thing with Lean, all of the films I have seen of his are visually stunning, Passage to India, Oliver Twist, Great Expectations, Brief Encounter and Bridge on the River Kwai all but to name a few.
Whether it is the film's music score. I used to listen with real enthusiasm to Classic FM at the Movies every Saturday (on the radio that is), and along with the main theme of Gone With the Wind, the score's main theme was one of the main themes that stuck out most. Maurice Jarre's score is nothing short of outstanding, swift, sweeping, epic and even iconic. I could very well say it is probably one of my all time favourite movie scores.
Whether it is the film's screenplay. The screenplay is intelligent and is like a withering satire on the mentality of Lawrence's superiors, who go by the book. Like the screenplays for Casablanca, Shawshank Redemption, It's a Wonderful Life and All About Eve, the screenplay here has lines that are a) quotable and that b)linger long into the memory, just like the story the film tells.
Whether it is the film's acting. Peter O'Toole is the easiest starting point, for he gives one of the best performances I have ever seen on film. His performance is so flamboyant and brilliant, it just highlights what a great actor he is. He nails Lawrence's complex character like a fitted glove, he is enigmatic and charismatic like TE Lawrence was like in real life. Supporting him all the way like iron are Alec Guiness, Claude Rains, Jack Hawkins and Jose Ferrer. Their characters aren't as complex as Lawrence's but they are still fully fleshed out and intriguing.
The film is very long, but thanks to the quality of the visuals, direction, screenplay, music and acting there is no time whatsoever wasted. Quite simply one of the best movies ever made, movie-making on the grandest scale. 10/10 Bethany Cox
Whether it is the film's visual style. Lawrence of Arabia is filled with absolutely beautiful images, such as the mirage that introduced us to Omar Sharif. I don't think this could be possible without the astounding cinematography, or the stunning, picturesque Morrocan, Saudi Arabian, Spanish and English locations. The shots of the desert were visually jaw dropping and the battle scenes are unforgettable. But that is the thing with Lean, all of the films I have seen of his are visually stunning, Passage to India, Oliver Twist, Great Expectations, Brief Encounter and Bridge on the River Kwai all but to name a few.
Whether it is the film's music score. I used to listen with real enthusiasm to Classic FM at the Movies every Saturday (on the radio that is), and along with the main theme of Gone With the Wind, the score's main theme was one of the main themes that stuck out most. Maurice Jarre's score is nothing short of outstanding, swift, sweeping, epic and even iconic. I could very well say it is probably one of my all time favourite movie scores.
Whether it is the film's screenplay. The screenplay is intelligent and is like a withering satire on the mentality of Lawrence's superiors, who go by the book. Like the screenplays for Casablanca, Shawshank Redemption, It's a Wonderful Life and All About Eve, the screenplay here has lines that are a) quotable and that b)linger long into the memory, just like the story the film tells.
Whether it is the film's acting. Peter O'Toole is the easiest starting point, for he gives one of the best performances I have ever seen on film. His performance is so flamboyant and brilliant, it just highlights what a great actor he is. He nails Lawrence's complex character like a fitted glove, he is enigmatic and charismatic like TE Lawrence was like in real life. Supporting him all the way like iron are Alec Guiness, Claude Rains, Jack Hawkins and Jose Ferrer. Their characters aren't as complex as Lawrence's but they are still fully fleshed out and intriguing.
The film is very long, but thanks to the quality of the visuals, direction, screenplay, music and acting there is no time whatsoever wasted. Quite simply one of the best movies ever made, movie-making on the grandest scale. 10/10 Bethany Cox