The idea that the human being is a Kosmos of his own, is know since the times of Romantics, at last. The even stronger theory according to which the human was been created after God has become a common feature of Christian religion. However, it has taken almost two thousand years before the philosopher Gotthard Gunther has stated that between an "I" and and "Though" there is exactly the same qualitative difference as between the human and God. On therefore has not to travel to the edges of transcendence in order to experience what a con-texture border means, it is sufficient to learn that insight into a Thou is excluded on principal reasons. This turns out to be important in all those cases where even close friends of a human become shocked and react in a way similar to: we would never have thought that he could do that.
Another problem, perhaps in a certain perspective even more delicate, is the border between a deed in thought and a deed in fact. Many people kill others in their wishes, dreams, they even say it without meaning it. On the other hand, some people would never say it, but then there is a moment when they do it. What is it that causes the transgression between thought and deed? R.W. Fassbinder presents a fully uncommented, non-condemnatory approach in "Warum Läuft Herr R. Amok?" (1970). Up to a certain degree, the absolute free speech which gives the illusion of everyday-conversations observed by a candid camera, has the form of a Brechtian "Lehrstück", however, there is no wagging finger to sense in this movie. The spectator is elevated into the position of the judge - if he really still thinks that the deed of Herr R. can be judged after having watched and understood the movie. The spectator even becomes a part of the movie, without him the communication scheme is incomplete. He is the receiver of a message from whom not even an answer is expected, but a revision in thinking on the basis of which has been presented to him. "A good movie is a movie that does not stop when people come out of the cinema, but continues in their heads", Fassbinder said once.
Another problem, perhaps in a certain perspective even more delicate, is the border between a deed in thought and a deed in fact. Many people kill others in their wishes, dreams, they even say it without meaning it. On the other hand, some people would never say it, but then there is a moment when they do it. What is it that causes the transgression between thought and deed? R.W. Fassbinder presents a fully uncommented, non-condemnatory approach in "Warum Läuft Herr R. Amok?" (1970). Up to a certain degree, the absolute free speech which gives the illusion of everyday-conversations observed by a candid camera, has the form of a Brechtian "Lehrstück", however, there is no wagging finger to sense in this movie. The spectator is elevated into the position of the judge - if he really still thinks that the deed of Herr R. can be judged after having watched and understood the movie. The spectator even becomes a part of the movie, without him the communication scheme is incomplete. He is the receiver of a message from whom not even an answer is expected, but a revision in thinking on the basis of which has been presented to him. "A good movie is a movie that does not stop when people come out of the cinema, but continues in their heads", Fassbinder said once.