Usually, the index deals only with feature length films; however, HEIMAT is an exception, since it is structurally a very long full length movie. The index considers seven variables--acting, plot, production sets,dialogue, artistry, character development, and film continuity--on a scale from 10 as high, 5 as average, and 1 as weak. On all counts, HEIMAT rates a 10. The acting is simply outstanding on every level, from major to minor characters to atmospheres. Even so, two performances are superior: Marita Breuer as Maria and Rudiger Weigang as Eduard. Breuer's facial expressions and eye movements speak volumes. In this case, less is indeed more. Weigang's acting is worthy of the highest one would find on the Shakespearian stage, a Polonius with precise body movement. It is a pleasure to watch both performers. Attention to plot is paramount in a long production, and there are no unnecessary scenes or fill-ins. Both the chronicles of the Simon family and that of Germany are effectively interwoven. One is never bored watching this marathon. The dialogue is appropriate, and the artistry exceptional--especially if the fair scene near the conclusion. Character development is reflected in a natural development over the time of the movie. Suffice it to say that everyone changes to one degree or another. The film continuity is special, held together with change and the changes change brings. There seem to be two minor flaws in the film's continuity: the plane which Ernst flys over the town and the Army MPs who appear in 1944. The plane looks more like a pre-WW II US trainer used by the Canadians who joined the RAF. It certainly is not the Focke-Wulf 190 which Eduard suggests it is. And, secondly, the two American MPs who appear at the Simons' front door in 1944 seem miscast ed. It is not likely that two moustached black MPs from a yet not officially integrated US Army would appear in a small farming community in Germany in 1944. It seems that they better fit MPs from a much later occupying force. I always wonder why these apparent flaws happen. Overall, this mini-series is excellent. I highly recommend you put aside some time and watch it all, which is inevitable once you have seen Part I.
Review of Heimat: A Chronicle of Germany
