EL CARTEL REVIEW by SAMPSON 411 While not perfect, El Cartel makes up for its flaws with ambition and quality. In short, "Cool Movie! Two thumbs up." 8.0/10 stars.
The story follows Jules Land, a mediocre journalist who follows a "once in a lifetime" story into the cartel-infested deserts of Mexico. Once across the border, he meets with Angel Santana, presumably Mexico's most notorious drug lord (and the antithesis of the swaggering, high-rolling, high-profile drug lords the likes of Pablo Escobar) and learns the inner workings of Santana's empire.
The Mexican actors definitely out-shine their gringo counterparts. The Hispanic actors, especially Santana (played by Jose Luis Franco) and Santos (Mauricio Islas), give great performances. The performance from the film's heroes, Jules (Freddy Douglas) and Vern (Howard Gibson), are less than commanding and both seem a bit "outgunned" by their Mexican co-stars. Fortunately, the mismatch in acting lends to the overall arch of the story (that of the bad guys completely being in control as they "school" the gringos about how the cartel does business).
The visual feel of the movie is clear and bright when necessary, but dark and gritty when called for. The locations and scenery are so impressive that, at moments, they seem to be part of the cast. The crew (particularly the location scouts, directors of photography, and lighting) gets accolades for coming through big time with the film's "look." A stellar grade is also awarded to the film's composer for his/her original score. It's not unheard of for a low budget independent to have GOOD original music, but it's rare (hint – please make a soundtrack).
El Cartel has it's own stylistic feel, and does something no other film has done. Each "chapter" of the film has a mini-lesson that is presented to the viewer as being one of Santana's rules of business. These rules are what has led Santana to his success in dominating the Latin American drug trade. The movie is "paced" by a countdown of these 13 business lessons, bringing the film to a head upon its conclusion as the "first" principle is finally understood by our hero, Jules. The idea works and is definitely cool (for example, some of Santana's business rules include, "Follow your passion" or "There's no such thing as a once in a lifetime opportunity").
The story follows Jules Land, a mediocre journalist who follows a "once in a lifetime" story into the cartel-infested deserts of Mexico. Once across the border, he meets with Angel Santana, presumably Mexico's most notorious drug lord (and the antithesis of the swaggering, high-rolling, high-profile drug lords the likes of Pablo Escobar) and learns the inner workings of Santana's empire.
The Mexican actors definitely out-shine their gringo counterparts. The Hispanic actors, especially Santana (played by Jose Luis Franco) and Santos (Mauricio Islas), give great performances. The performance from the film's heroes, Jules (Freddy Douglas) and Vern (Howard Gibson), are less than commanding and both seem a bit "outgunned" by their Mexican co-stars. Fortunately, the mismatch in acting lends to the overall arch of the story (that of the bad guys completely being in control as they "school" the gringos about how the cartel does business).
The visual feel of the movie is clear and bright when necessary, but dark and gritty when called for. The locations and scenery are so impressive that, at moments, they seem to be part of the cast. The crew (particularly the location scouts, directors of photography, and lighting) gets accolades for coming through big time with the film's "look." A stellar grade is also awarded to the film's composer for his/her original score. It's not unheard of for a low budget independent to have GOOD original music, but it's rare (hint – please make a soundtrack).
El Cartel has it's own stylistic feel, and does something no other film has done. Each "chapter" of the film has a mini-lesson that is presented to the viewer as being one of Santana's rules of business. These rules are what has led Santana to his success in dominating the Latin American drug trade. The movie is "paced" by a countdown of these 13 business lessons, bringing the film to a head upon its conclusion as the "first" principle is finally understood by our hero, Jules. The idea works and is definitely cool (for example, some of Santana's business rules include, "Follow your passion" or "There's no such thing as a once in a lifetime opportunity").