James Darren (as Nick "Nicky" Romano) grows up innocently, in the slums of Chicago. He's the illegitimate son of the original "Nick Romano", from "Knock on Any Door" (1949). Gin-medicating mom Shelley Winters (as Nellie Romano) does the best she can raising Mr. Darren; she hopes his musical talent will help him to achieve a better life, unlike his father. Ms. Winters, to her credit, organizes a nurturing group of deadbeats. Chief among them is boozing co-dependent judge Burl Ives (as Bruce M. Sullivan). Together, they raise Darren well, but the Chicago underworld threatens to drag him down
Interesting "sequel" (of sorts); actually, this is an adaptation of Willard Motley third novel, "Let No Man Write My Epitaph", which was a follow-up to his first, "Knock on Any Door". The earlier film starred John Derek and Humphrey Bogart, and lacked much of the realism needed to accurately tell the story. There are some allusions to the earlier film; the shot of the adult Romano (Darren) ascending a stairway recalls the earlier film, as does a picture of the original Romano. This film is much better scripted; and, importantly, Chicago denizens could be shown selling, and using, Heroin. The drug use becomes a very big part of the picture.
This film isn't without flaws; and, for most of the early running time, it teeters so close to plodding, soapy melodrama, you might get disenchanted. However, growing characterizations from the three leads, and nice location photography, enhance the production. Additionally, there are good supporting performances; from, for example, smarmy Ricardo Montalban (as Louie) and legless Walter Burke (as Wart). And, of course, Ella Fitzgerald (as Flora) sings beautifully.
Around the time (at about 1:11) Mr. Ives has a saloon scene with Ms. Fitzgerald in the background (after a fix), the film really takes off. Situations become significantly more obvious. Darren, Winters, and Ives have big dramatic, well-played scenes. The intensity of the film heightens, to quite a very exciting conclusion.
******* Let No Man Write My Epitaph (1960) Phillip Leacock ~ James Darren, Shelley Winters, Burl Ives
Interesting "sequel" (of sorts); actually, this is an adaptation of Willard Motley third novel, "Let No Man Write My Epitaph", which was a follow-up to his first, "Knock on Any Door". The earlier film starred John Derek and Humphrey Bogart, and lacked much of the realism needed to accurately tell the story. There are some allusions to the earlier film; the shot of the adult Romano (Darren) ascending a stairway recalls the earlier film, as does a picture of the original Romano. This film is much better scripted; and, importantly, Chicago denizens could be shown selling, and using, Heroin. The drug use becomes a very big part of the picture.
This film isn't without flaws; and, for most of the early running time, it teeters so close to plodding, soapy melodrama, you might get disenchanted. However, growing characterizations from the three leads, and nice location photography, enhance the production. Additionally, there are good supporting performances; from, for example, smarmy Ricardo Montalban (as Louie) and legless Walter Burke (as Wart). And, of course, Ella Fitzgerald (as Flora) sings beautifully.
Around the time (at about 1:11) Mr. Ives has a saloon scene with Ms. Fitzgerald in the background (after a fix), the film really takes off. Situations become significantly more obvious. Darren, Winters, and Ives have big dramatic, well-played scenes. The intensity of the film heightens, to quite a very exciting conclusion.
******* Let No Man Write My Epitaph (1960) Phillip Leacock ~ James Darren, Shelley Winters, Burl Ives