An effectively off-beat serial killer film from Michael Powell, the visionary director that gave us "Black Narcissus" (one of my favorites of all time) and "The Red Shoes." As with those films, he chooses to shoot everything in vibrant color, enhancing the luridness of this lurid story.
Carl Boehm plays the disturbed young man who enjoys filming women as he kills them and then watching the films later. He and Norman Bates, the momma's boy serial killer from "Psycho," released the same year, could write a manual on sexually motivated ritual killings. In both films, the psychology is laughably obvious and heavy-handed, though it probably seemed shocking to audiences at the time who weren't used to such frank discussions of the unsavory aspects of the human id. But the film is certainly accomplished, and reminded me somewhat of the films of Dario Argento, without the gore.
Moira Shearer puts in a brief appearance as one of the victims, and even gets an inexplicable dance number to perform. While the number doesn't make a lot of sense in context of the film, she certainly looks lovely doing it. Too bad she ends up in a trunk.
Grade: A-
Carl Boehm plays the disturbed young man who enjoys filming women as he kills them and then watching the films later. He and Norman Bates, the momma's boy serial killer from "Psycho," released the same year, could write a manual on sexually motivated ritual killings. In both films, the psychology is laughably obvious and heavy-handed, though it probably seemed shocking to audiences at the time who weren't used to such frank discussions of the unsavory aspects of the human id. But the film is certainly accomplished, and reminded me somewhat of the films of Dario Argento, without the gore.
Moira Shearer puts in a brief appearance as one of the victims, and even gets an inexplicable dance number to perform. While the number doesn't make a lot of sense in context of the film, she certainly looks lovely doing it. Too bad she ends up in a trunk.
Grade: A-