1/10
Tragical Misery Tour
29 February 2008
Oh, have you seen "Across the Universe"? (http://www.imdb.com/title/tt0445922/) Are we the only ones to find it bad, bad, REALLY bad? I think there's an odd syndrome--I've seen it before, can't remember where--of 60s-and-Beatles-infatuation among people who were born post-60s-and-Beatles, and they seem to take ownership of the 60s and Beatles music in a way that is often extremely distasteful to me. Besides the codification of the 60s into convenient chewy clusters (one character drafted, another one black, a girl "too" involved in the anti-war protest movement , another in the club scene trying to sing like Janis Joplin...), in this movie, it appears they tried to build an entire plot around the 60s and most of the dialog out of (sung) Beatles songs. To me, as soon as you start naming characters "Jude," "Max(well)," "Prudence," "Sadie," "Lucy," you're already losin' me, kid. When half of those characters are ONLY there to support an occurrence of one person or another breaking into song (i.e. "Prudence's" whole raisin-bran d'etre in the ENTIRE movie was to have a scene where she's shut herself in a closet pouting and everyone outside the closet sings "Dear Prudence," now THAT's just stupid. They shoehorned songs into the plot, and plot lines into song-ops. The one English guy always sings with a smile on his face and everyone has these pure, clear (let's call it "plear") voices fresh out of "Fame" (they were born after THAT, too, I think). WAY too many telegraphed references to well-known Beatles and 60s trivia, like the use of apples and strawberries and the comment to Max about killing grandma with a hammer. There are a few cool animation bits (well, one, really), but ALL of that might not be too bad, but they ALSO had to bring my man Jimi into it! Now they're making me mad. The characters are zero-dimensional. The acting is out of Junior High, rising only occasionally to Sophomore level. The writing is just execrable. I had to watch it through because these are my heroes from, and this is the soundtrack of, my youth, and frankly I couldn't tear myself away, just like that reporter and the Hindenberg--"Oh the humanity!"
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