Fifteen years after staking Count Mitterhaus, the vampire that had been preying upon their children, the people of a remote European village suffer once again as a mysterious plague begins to claim their lives. With roadblocks in place to stop the disease from spreading, they are cut off from the outside world.
When a gypsy circus somehow beats the quarantine to put on nightly shows at the village, the locals are happy that they have something to take their minds off the illness. But soon, the now-grown-up children of those who killed the Count begin to turn up dead, and the villagers start to suspect that the circus folk are somehow responsible. It eventually transpires that the creepy entertainers, some of whom are vampires, are out to seek revenge for Mitterhaus's death, and ultimately aim to raise the Count from his tomb.
A better-than-average offering from Hammer studios, Vampire Circus offers all of their trademark elements—lush visuals, lavish sets and costumes, beautiful women, handsome heroes and Gothic atmosphere to spare—plus quite a bit of blood and gore, and a generous amount of gratuitous nudity from several beautiful babes (although the stunning Lynne Frederick unfortunately remains fully clothed).
Director Robert Young ensures that the film is effectively creepy from start to finish, paying special attention to the scenes featuring the bizarre circus folk, which prove to be genuinely freaky (the dwarf, with his evil grin and painted face, is particularly disturbing). Occasionally the film suffers from some poor special effects, and the odd spot of hammy acting, but this does not detract from one's enjoyment (on the contrary, they actually made the whole experience more fun for me).
Best watched at night, with the curtains drawn, lights out, and accompanied by a big box of popcorn, this solidly entertaining vampire yarn is well worth checking out.
When a gypsy circus somehow beats the quarantine to put on nightly shows at the village, the locals are happy that they have something to take their minds off the illness. But soon, the now-grown-up children of those who killed the Count begin to turn up dead, and the villagers start to suspect that the circus folk are somehow responsible. It eventually transpires that the creepy entertainers, some of whom are vampires, are out to seek revenge for Mitterhaus's death, and ultimately aim to raise the Count from his tomb.
A better-than-average offering from Hammer studios, Vampire Circus offers all of their trademark elements—lush visuals, lavish sets and costumes, beautiful women, handsome heroes and Gothic atmosphere to spare—plus quite a bit of blood and gore, and a generous amount of gratuitous nudity from several beautiful babes (although the stunning Lynne Frederick unfortunately remains fully clothed).
Director Robert Young ensures that the film is effectively creepy from start to finish, paying special attention to the scenes featuring the bizarre circus folk, which prove to be genuinely freaky (the dwarf, with his evil grin and painted face, is particularly disturbing). Occasionally the film suffers from some poor special effects, and the odd spot of hammy acting, but this does not detract from one's enjoyment (on the contrary, they actually made the whole experience more fun for me).
Best watched at night, with the curtains drawn, lights out, and accompanied by a big box of popcorn, this solidly entertaining vampire yarn is well worth checking out.