It turns out that all the word of mouth about the Mexican horror flick "The Brainiac" (1961) is absolutely correct: It IS one wild and loopy film experience! This picture tells the story of the necromancer Baron Vitelius Destera (played by the film's handsome producer, Abel Salazar), who is burned at the stake in 1661 by the Inquisition in Mexico City and swears vengeance on the descendants of his tormentors. Good to his word, the Baron falls to Earth in 1961 on a comet (the phoniest-looking comet ever shown on film, perhaps) to begin his homicidal agenda. Destera has the ability to transform himself into a giant-headed, pointy-nosed, fork-tongued monster, and his ability to hypnotize with a glance and bend others to his mental will makes his nefarious plans that much simpler. Oh...did I mention that the Baron uses his Gene Simmons-like tongue to suck his victims' brains out? Oh, man! Sounds pretty cool, right? Truth to tell, though, this film has been made on the cheap, with loads of ersatz-looking backdrops, lousy FX, and reams of unexplained happenings. Why, for example, does the Baron need to keep a stemmed dish of brains around for snacking purposes? How do the film's detectives ultimately crack the case of all these homicides? Why is fire able to harm the Baron in 1961 but not in 1661? Where DID that blasted comet disappear to? This movie has so many head-scratching moments, so many outrageous situations, so many admittedly cool murder scenes, such egregiously artificial backdrops and such strange humor (brain tacos, anyone?) that the net result is one of absolute lysergic surrealism. So yes, the movie is a hoot, and features a monster you won't soon forget. Unlike the Baron himself, the film is NOT a brain-drainer, but a genuinely exhilarating cult item. I, for one, was sufficiently impressed to check out director Chano Urueta's next effort, 1962's "The Witch's Mirror"...
Review of The Brainiac
