I saw this last night, with a packed house at the Museum of Fine Arts in Boston, as part of the Roxbury film festival. I can't remember the last time I went to the movies and missed some of the dialogue because the audience was laughing so hard.
The lead actors are both terrific, with a strong chemistry between them. Lia Johnson, as the lead, was especially noteworthy. I hope we'll see her in a lot more films. (She was co-producer, too.) What a relief to see a romantic comedy that deals with race that doesn't have to drop down into base stupidity or stereotypes. (Not that the characters don't sometimes do stupid things.)
It's interesting to see conscious references to Spike Lee's, She's Gotta Have It. (I remember seeing that at a festival when it first came out.) First-time director Jennifer Sharp doesn't have Spike's sense of innovation or visual style, but she does provide the film strong visuals and a fast pace.
The story is somewhat reminiscent of High Fidelity (slacker guy has a phobia of commitment), but in a good way (lots of scenes in a record story helps, too). But here we have race as the excuse that he's been using for his lack of commitment. Jay dates a long string of white women, yet always breaks up with them (by note), when it gets too serious, writing that maybe the world isn't ready for a relationship like theirs. Interestingly, though, the movie isn't about Jay trying to get in touch with his "true blackness" or about how white women really are horrible and now that he's looking for a black woman, he'll truly find happiness. Instead, it's really about him having to learn to grow up and allow himself to commit to the right woman. The woman he finds, Katherine, is awfully amazing (bestselling novelist, very smart) but with enough quirks to make her seem fully human, as well.
It's awfully tough for black films to get theatrical distribution, but this is one that's smart, that lots of people can relate to. I hope it makes it.
The lead actors are both terrific, with a strong chemistry between them. Lia Johnson, as the lead, was especially noteworthy. I hope we'll see her in a lot more films. (She was co-producer, too.) What a relief to see a romantic comedy that deals with race that doesn't have to drop down into base stupidity or stereotypes. (Not that the characters don't sometimes do stupid things.)
It's interesting to see conscious references to Spike Lee's, She's Gotta Have It. (I remember seeing that at a festival when it first came out.) First-time director Jennifer Sharp doesn't have Spike's sense of innovation or visual style, but she does provide the film strong visuals and a fast pace.
The story is somewhat reminiscent of High Fidelity (slacker guy has a phobia of commitment), but in a good way (lots of scenes in a record story helps, too). But here we have race as the excuse that he's been using for his lack of commitment. Jay dates a long string of white women, yet always breaks up with them (by note), when it gets too serious, writing that maybe the world isn't ready for a relationship like theirs. Interestingly, though, the movie isn't about Jay trying to get in touch with his "true blackness" or about how white women really are horrible and now that he's looking for a black woman, he'll truly find happiness. Instead, it's really about him having to learn to grow up and allow himself to commit to the right woman. The woman he finds, Katherine, is awfully amazing (bestselling novelist, very smart) but with enough quirks to make her seem fully human, as well.
It's awfully tough for black films to get theatrical distribution, but this is one that's smart, that lots of people can relate to. I hope it makes it.