8/10
Boffo Show Biz Meller has Legs.
12 July 2007
Warning: Spoilers
Still enjoyable after all these years. This is what Hollywood liked to think would pass for gritty expose' but was little more than a glossy, retelling of hoary industry myth. (For an update on the story see Altman's The Player) Kirk Douglas (at the absolute top of his game here) plays the S.O.B. producer, Lana Turner (in that brief moment between the baby fat and middle age that seemed to overtake her so swiftly) as the cynical, hard-drinking, vulnerable, showbiz outcast, near ex-actress, Barry Sullivan as the neophyte director looking for a break, Walter Pidgeon as the bottomline fixated studio head, and Dick Powell as the Pulitzer prize winning author and font of high quality original material. The supporting cast is chock full of quality types, Gloria Grahame has some nice moments as Powell's wife, Gilbert Roland as a Latin Horndog and the magnificent Elaine Stewart as the current object of his rutting interest. Douglas' Jonathan Shields is brilliant and ruthless, in fact, so brilliant that it's difficult to see how he came to be in such poor circumstances at the opening of the film. But he quickly surrounds himself with the components necessary to move smartly up the ladder and therein, of course, lies the rub. He sees those around him as little more than 'components' and they recognise the opportunity for great wealth and fame he offers them while they luxuriate in the comfortable fiction that their relationships to him are more than 'just business'. Hurt feelings and gnashing of teeth to follow but not before the Turner character has a career again, the Sullivan character has a resume, the Pidgeon character is awash in black ink and the Powell character has banked thousands of relative easy dollars and accumulated enough first-hand material for a blockbuster on Hollywood Babylon. Director Vincente Minnelli delivered a solid entertainment and it should be measured as just that. It is a well-made melodrama that exposes little about the 'real' Hollywood. It does not match the sophistication of All About Eve nor the mesmerising drama of Sunset Boulevard but it will hold your attention for the full running time and amuse you in the bargain.
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